LEADER 03715nam 22006375 450 001 9910826399003321 005 20211006050323.0 010 $a0-8122-9187-5 024 7 $a10.9783/9780812291872 035 $a(VaAlASP)PL031414 035 $a(CKB)4940000000241930 035 $a(DE-B1597)452769 035 $a(OCoLC)979631397 035 $a(DE-B1597)9780812291872 035 $a(UK-CbPIL)2065623 035 $a(MiAaPQ)EBC4321851 035 $a(EXLCZ)994940000000241930 100 $a20200723h20152016 fg 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Monster in the Garden $eThe Grotesque and the Gigantic in Renaissance Landscape Design /$fLuke Morgan 210 1$aPhiladelphia : $cUniversity of Pennsylvania Press, $d[2015] 210 4$dİ2016 215 $a1 online resource (256 p.) $c48 illus 225 0 $aPenn Studies in Landscape Architecture 327 $tFrontmatter -- $tContents -- $tIntroduction. Reframing the Renaissance Garden -- $tChapter 1. The Legibility of Landscape: From Fascism to Foucault -- $tChapter 2. The Grotesque and the Monstrous -- $tChapter 3. A Monstruary: The Excessive, the Deficient, and the Hybrid -- $tChapter 4. ?Rare and Enormous Bones of Huge Animals?: The Colossal Mode -- $tChapter 5. ?Pietra Morta, in Pietra Viva?: The Sacro Bosco -- $tConclusion: Toward the Sublime -- $tNotes -- $tBibliography -- $tIndex -- $tAcknowledgments 330 $aMonsters, grotesque creatures, and giants were frequently depicted in Italian Renaissance landscape design, yet they have rarely been studied. Their ubiquity indicates that gardens of the period conveyed darker, more disturbing themes than has been acknowledged.In The Monster in the Garden, Luke Morgan argues that the monster is a key figure in Renaissance culture. Monsters were ciphers for contemporary anxieties about normative social life and identity. Drawing on sixteenth-century medical, legal, and scientific texts, as well as recent scholarship on monstrosity, abnormality, and difference in early modern Europe, he considers the garden within a broader framework of inquiry. Developing a new conceptual model of Renaissance landscape design, Morgan argues that the presence of monsters was not incidental but an essential feature of the experience of gardens. 606 $aGarden ornaments and furniture$zItaly$xPsychological aspects$xHistory$y16th century 606 $aGardens$xSymbolic aspects$zItaly$xHistory$y16th century 606 $aGardens, Renaissance$zItaly$xDesign$xHistory$y16th century 606 $aGrotesque$zItaly$xPsychological aspects$xHistory$y16th century 606 $aLandscape design$zItaly$xHistory$y16th century 606 $aMonsters$zItaly$xPsychological aspects$xHistory$y16th century 606 $aARCHITECTURE / Landscape$2bisacsh 610 $aArchitecture. 610 $aFine Art. 610 $aGarden History. 610 $aMedieval and Renaissance Studies. 615 0$aGarden ornaments and furniture$xPsychological aspects$xHistory 615 0$aGardens$xSymbolic aspects$xHistory 615 0$aGardens, Renaissance$xDesign$xHistory 615 0$aGrotesque$xPsychological aspects$xHistory 615 0$aLandscape design$xHistory 615 0$aMonsters$xPsychological aspects$xHistory 615 7$aARCHITECTURE / Landscape. 676 $a712.0945 700 $aMorgan$b Luke, $4aut$4http://id.loc.gov/vocabulary/relators/aut$01668831 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910826399003321 996 $aThe Monster in the Garden$94029696 997 $aUNINA