LEADER 07272nam 2200709 450 001 9910826307403321 005 20240221145603.0 010 $a1-61451-125-X 024 7 $a10.1515/9781614511250 035 $a(CKB)2670000000519646 035 $a(EBL)1130396 035 $a(SSID)ssj0001111316 035 $a(PQKBManifestationID)11665320 035 $a(PQKBTitleCode)TC0001111316 035 $a(PQKBWorkID)11156438 035 $a(PQKB)10126117 035 $a(MiAaPQ)EBC1130396 035 $a(DE-B1597)175926 035 $a(OCoLC)900720517 035 $a(OCoLC)948655733 035 $a(DE-B1597)9781614511250 035 $a(Au-PeEL)EBL1130396 035 $a(CaPaEBR)ebr10838298 035 $a(CaONFJC)MIL574215 035 $a(OCoLC)870590001 035 $z(PPN)202026620 035 $a(PPN)179503804 035 $a(EXLCZ)992670000000519646 100 $a20130916h20142014 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aAncient comedy and reception $eessays in honor of Jeffrey Henderson /$fedited by S. Douglas Olson 210 1$aBerlin :$cDe Gruyter,$d[2014] 210 4$d©2014 215 $a1 online resource (1098 p.) 300 $aDescription based upon print version of record. 311 $a1-61451-126-8 311 $a1-61451-166-7 320 $aIncludes bibliographical references and index. 327 $tAncient Comedy and Reception --$tFrontmatter --$tForeword --$tContents --$tAncient Comedy and Receptions --$tExchanging Metaphors in Cratinus and Aristophanes --$tComic Parrhęsia and the Paradoxes of Repression --$tSlipping One In: The Introduction of Obscene Lexical Items in Aristophanes --$tAncient Comedy and Historiography: Aristophanes Meets Herodotus --$tEpiphany of a Serious Dionysus in a Comedy? --$tToponimi e immaginario sessuale nella Lisistrata di Aristofane --$tDionysus? Choice in Frogs and Aristophanes? Paraenetic Pedigree --$tTwo Phaedras: Euripides and Aristophanes? --$tPlato?s Aristophanes --$tMenander?s Samia and the Phaedra Theme --$tDynamics of Appropriation in Roman Comedy: Menander?s Kolax in Three Roman Receptions --$tLibera lingua loquemur ludis Liberalibus: Gnaeus Naevius as a Latin Aristophanes? --$tPlautus und die Techniken des Improvisationstheaters --$tLege dura vivont mulieres: Syra?s Complaint about the Sexual Double Standard --$t?Letting It All Hang Out?: Lucian, Old Comedy and the Origins of Roman Satire --$tOld Comedy at Rome: Rhetorical Model and Satirical Problem --$tInventing Everything: Comic and Performative Sources of Graeco-Roman Fiction --$tFrom Drama to Narrative: The Reception of Comedy in the Ancient Novel --$tGreek Culture as Images: Menander?s Comedies and Their Patrons in the Roman West and the Greek East --$tThe Evidence of the Zeugma Synaristosai Mosaic for Imperial Performance of Menander --$tMedieval, Renaissance and Early Modern Receptions --$tMedieval Vernacular Versions of Ancient Comedy: Geoffrey Chaucer, Eustache Deschamps, Vitalis of Blois and Plautus? Amphitryon --$tAristofane mascherato: Un secolo (1415?1504) di fortuna e ?sfortuna? --$tL?influence de Plaute sur la définition du comique chez Giovanni Pontano --$tStrepsiades? Latin Voice: Two Renaissance Translations of Aristophanes? Clouds --$tThe Trickster Onstage: The Cunning Slave from Plautus to Commedia dell?Arte --$tAristophanes in England, 1500?1660 --$tExaggerating Terence?s Andria: Steele?s The Conscious Lovers, Bellamy?s The Perjur?d Devotee and Terentian Criticism --$tRoman Comedy and Renaissance Revenge Drama: Titus Andronicus as Exemplary Text --$tMoličre and the Roman Comic Tradition --$tJacob Masen?s Rusticus imperans (1657) and Ancient Theater --$tLa recepción de Plauto y Terencio en la literatura espańola --$tReform: A Farce Modernised from Aristophanes (1792) --$tModern Receptions --$tPolos und Polis: Aristophanes? Vögel und deren Bearbeitung durch Goethe, Karl Kraus und Peter Hacks --$tTranslations of Aristophanes in Italy in the 19th century --$tClose Encounters of the Comic Kind: Aristophanes? Frogs and Lysistrata in Athenian Mythological Burlesque of the 1880s --$tRodgers and Hart?s The Boys from Syracuse: Shakespeare Made Plautine --$tShe (Don?t) Gotta Have It: African-American Reception of Lysistrata --$t?Es ist, um aus der Rüstung zu fahren!?: Erich Kästners Adaption der Acharner des Aristophanes --$tLysistrata on Broadway --$t?Attend, O Muse, Our Holy Dances and Come to Rejoice in Our Songs?: The Reception of Aristophanes in the Modern Musical Theater --$tAristophanes at the BBC, 1940s?1960s --$tCultural Politics and Aesthetic Debate in Two Modern Versions of Aristophanes? Frogs --$tIonesco?s New and Old Comedy --$tAristophanes in the Cinema; or, The Metamorphoses of Lysistrata --$tWho?s Afraid of Aristophanes? The Troubled Life of Ancient Comedy in 20th-Century Italy --$tAristophanes in Israel: Comedy, Theatricality, Politics --$tCulture, Education and Politics: Greek and Roman Comedy in Afrikaans --$tThe Maculate Muse in the 21st Century: Recent Adaptations of Aristophanes? Peace and Ecclesiazusae --$tEschyle et Euripide entre tragédie et comédie: polyphonie et interprétation dans quelques traductions récentes des Grenouilles d?Aristophane --$tBusiness as Usual: Plautus? Menaechmi in English Translation --$tIndex of Names and Subjects 330 $aThis wide-ranging collection, consisting of 50 essays by leading international scholars in a variety of fields, provides an overview of the reception history of a major literary genre from Greco-Roman antiquity to the present day. Section I considers how the 5th- and 4th-century Athenian comic poets defined themselves and their plays, especially in relation to other major literary forms. It then moves on to the Roman world and to the reception of Greek comedy there in art and literature. Section II deals with the European reception of Greek and Roman comedy in the Medieval, Renaissance, and Early Modern periods, and with the European stage tradition of comic theater more generally. Section III treats the handling of Greco-Roman comedy in the modern world, with attention not just to literary translations and stage-productions, but to more modern media such as radio and film. The collection will be of interest to students of ancient comedy as well as to all those concerned with how literary and theatrical traditions are passed on from one time and place to another, and adapted to meet local conditions and concerns. 606 $aGreek drama (Comedy)$xHistory and criticism 606 $aLatin drama (Comedy)$xHistory and criticism 610 $aGreek comedy. 610 $aRoman comedy. 610 $areception. 610 $asatire. 615 0$aGreek drama (Comedy)$xHistory and criticism. 615 0$aLatin drama (Comedy)$xHistory and criticism. 676 $a882/.0109 701 $aOlson$b S. Douglas$0183884 701 $aHenderson$b Jeffrey$f1946-$0107627 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910826307403321 996 $aAncient comedy and reception$93933511 997 $aUNINA