LEADER 02232nam 2200589 a 450 001 9910826271803321 005 20240416153109.0 010 $a0-674-05468-7 024 7 $a10.4159/9780674054684 035 $a(CKB)2670000000040452 035 $a(OCoLC)648757482 035 $a(CaPaEBR)ebrary10402530 035 $a(SSID)ssj0000427950 035 $a(PQKBManifestationID)11274729 035 $a(PQKBTitleCode)TC0000427950 035 $a(PQKBWorkID)10413649 035 $a(PQKB)10501970 035 $a(MiAaPQ)EBC3300866 035 $a(Au-PeEL)EBL3300866 035 $a(CaPaEBR)ebr10402530 035 $a(DE-B1597)574403 035 $a(DE-B1597)9780674054684 035 $a(OCoLC)1248759256 035 $a(EXLCZ)992670000000040452 100 $a20090107d2009 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSelling sounds $ethe commercial revolution in American music /$fDavid Suisman 205 $a1st ed. 210 $aCambridge, Mass. $cHarvard University Press$d2009 215 $a1 online resource (365 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-674-03337-X 320 $aIncludes bibliographical references (p. [289]-337) and index. 327 $aWhen songs became a business -- Making hits -- Music without musicians -- The traffic in voices -- Musical properties -- Perfect pitch -- The black swan -- The musical soundscape of modernity. 330 $aFrom Tin Pan Alley to grand opera, player-pianos to phonograph records, David Suisman explores the rise of music as big business and the creation of a radically new musical culture. Provocative, original, and lucidly written, Selling Sounds reveals the commercial architecture of America's musical life. 606 $aMusic trade$zUnited States 606 $aMusic$zUnited States$xHistory and criticism 615 0$aMusic trade 615 0$aMusic$xHistory and criticism. 676 $a338.4/7780973 700 $aSuisman$b David$01610680 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910826271803321 996 $aSelling sounds$93938525 997 $aUNINA