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100   $a20091102d2011      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 12$aA geometry of music $eharmony and counterpoint in the extended common practice /$fDmitri Tymoczko
205   $a1st ed.
210   $aNew York $cOxford University Press$d2011
215   $a1 online resource (469 p.)
225 1 $aOxford studies in music theory
300   $aDescription based upon print version of record.
311   $a0-19-533667-4 
320   $aIncludes bibliographical references and index.
327   $apt. 1. Theory -- pt. 2. History and analysis.
330   $aMost listeners prefer tonal music to atonal music, but what exactly is the difference between them? In this groundbreaking work, author Dmitri Tymoczko identifies five basic musical features that jointly contribute to the sense of tonality, and shows how these features recur throughout the history of Western music. Tymoczko creates for the reader a new framework for thinking about music, one that emphasizes the commonalities among styles from Medieval polyphony to contemporary jazz. A Geometry of Music provides an accessible introduction to Tymoczko's revolutionary geometrical approach to musi
410  0$aOxford studies in music theory.
606   $aHarmony
606   $aCounterpoint
606   $aMusical analysis
615  0$aHarmony.
615  0$aCounterpoint.
615  0$aMusical analysis.
676   $a781.2
700   $aTymoczko$b Dmitri$f1969-$01644063
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910826252003321
996   $aA geometry of music$93989689
997   $aUNINA