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135   $aur|n|---|||||
181   $ctxt
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200 14$aThe compleat conductor$b[electronic resource] /$fGunther Schuller
210   $aNew York ;$aOxford $cOxford University Press$d1998
215   $a1 online resource (584 p.)
300   $aDescription based upon print version of record.
311   $a0-19-506377-5 
311   $a0-19-512661-0 
320   $aDiscography: p. 549-561.
320   $aIncludes bibliographical references and index.
327   $aCover; Contents; Preface; PART I; A Philosophy of Conducting; PART II; A History of Conducting; PART III; Beethoven: Fifth Symphony; Beethoven: Seventh Symphony; Brahms: First Symphony; Brahms: Fourth Symphony; Strauss: Till Eulenspiegel; Ravel: Daphnis et Chloe? Second Suite; Schumann: Second Symphony; Tchaikovsky: Sixth Symphony; Postscript; Afterword; Discography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; V; W; Y; Z
330   $aA world-renowned conductor and composer who has lead most of the major orchestras in North America and Europe, a talented musician who has played under the batons of such luminaries as Toscanini and Walter, and an esteemed arranger, scholar, author, and educator, Gunther Schuller is without doubt a major figure in the music world. Now, in The Compleat Conductor, Schuller has penned a highly provocative critique of modern conducting, one that is certain to stir controversy. Indeed, in these pages he castigates many of this century's most venerated conductors for using the podium to indulge thei
606   $aConducting
606   $aOrchestral music$xInterpretation (Phrasing, dynamics, etc.)
615  0$aConducting.
615  0$aOrchestral music$xInterpretation (Phrasing, dynamics, etc.)
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