LEADER 01291nlm0 22004091i 450 001 990009588200403321 005 20130315092356.0 010 $a978-0-12267351-1 035 $a000958820 035 $aFED01000958820 035 $a(Aleph)000958820FED01 035 $a000958820 100 $a20120608d2002----km-y0itaa50------ba 101 0 $aeng 102 $aUS 105 $a--------001yy 135 $adrnn-008mamaa 200 1 $aUnderstanding molecular simulation$bRisorsa elettronica$efrom algorithms to applications$fDaan Frenkel and Berend Smit 205 $a2nd ed. 210 $aSan Diego$cAcademic Press$dc2002 225 1 $aComputational science series$v1 230 $aDocumento elettronico 336 $aTesto 337 $aFormato html, pdf 610 0 $aMolecole$aModelli matematici 610 0 $aForze intermolecolari 676 $a539.60113 700 1$aFrenkel,$bDaan$f<1948- >$0516837 701 1$aSmit,$bBerend$f<1962- >$0516838 801 0$aIT$bUNINA$gREICAT$2UNIMARC 856 4 $zFull text per gli utenti Federico II$uhttp://www.sciencedirect.com/science/book/9780122673511 901 $aEB 912 $a990009588200403321 952 $a80$b10854$fFFABC 959 $aFFABC 996 $aUnderstanding molecular simulation$9845931 997 $aUNINA LEADER 02532nam 2200601 450 001 9910826094203321 005 20230802002313.0 010 $a0-8229-7797-4 035 $a(CKB)3240000000065510 035 $a(OCoLC)830023694 035 $a(CaPaEBR)ebrary10884629 035 $a(SSID)ssj0000710935 035 $a(PQKBManifestationID)11397062 035 $a(PQKBTitleCode)TC0000710935 035 $a(PQKBWorkID)10681457 035 $a(PQKB)10146155 035 $a(MiAaPQ)EBC2039471 035 $a(MdBmJHUP)muse17344 035 $a(Au-PeEL)EBL2039471 035 $a(CaPaEBR)ebr10884629 035 $a(CaONFJC)MIL616043 035 $a(EXLCZ)993240000000065510 100 $a20140702h20122012 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aTransition cinema $epolitical filmmaking and the Argentine left since 1968 /$fJessica Stites Mor 210 1$aPittsburgh, Pennsylvania :$cUniversity of Pittsburgh Press,$d2012. 210 4$dİ2012 215 $a1 online resource (279 p.) 225 1 $aIlluminations : Cultural Formations of the Americas 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8229-6191-1 320 $aIncludes bibliographical references, filmography and index. 327 $aIntroduction -- The spectacle of the past. Cameras in the hands of "angry young men": filmmaking and the Cordobazo -- Filmmakers into film workers: Peronism, dictatorship, and the film industry -- Reimagining the left. The scene and the city: coded landscapes and collective memory in transition -- Experience, representation, and reproduction: displacement and El Sur de Solanas -- The mediated subject. Documentalismo: political filmmaking and social movements -- Postmodern exigencies: new media, memory, and critical spaces -- Conclusion. 410 0$aIlluminations (Pittsburgh, Pa.) 606 $aMotion pictures$xPolitical aspects$zArgentina 606 $aMotion picture industry$xPolitical aspects$zArgentina$xHistory$y20th century 606 $aPolitics in motion pictures 615 0$aMotion pictures$xPolitical aspects 615 0$aMotion picture industry$xPolitical aspects$xHistory 615 0$aPolitics in motion pictures. 676 $a791.430982 700 $aStites Mor$b Jessica$01632521 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910826094203321 996 $aTransition cinema$94041259 997 $aUNINA