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100   $a20150323d2015      uy|            0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe novel $ea survival skill /$fTim Parks
210  1$aNew York, New York :$cOxford University Press,$d2015.
215   $a1 online resource (200 p.)
225 1 $aLiterary agenda
300   $aDescription based upon print version of record.
311   $a0-19-873959-1 
320   $aIncludes bibliographical references and index.
327   $aCover; The Novel: A Survival Skill; Copyright; Series Introduction to the Literary Agenda; Foreword; Acknowledgement; Contents; 1: Four Imagined Meetings; Notes; 2: Schismogenesis and Semantic Polarities; Notes; 3: Joyce; Notes; 4: Good Boy, Bad Boy; Notes; 5: The Reader's Address; Notes; 6: Terrifying Bliss; Notes; 7: Worthy Writers, Worthy Readers; Notes; Conclusion; Notes; Index
330   $aThe Literary Agenda is a series of short polemical monographs about the importance of literature and of reading in the wider world and about the state of literary education inside schools and universities. The category of 'the literary' has always been contentious. What is clear, however, is how increasingly it is dismissed or is unrecognised as a way of thinking or an arena for thought. It is sceptically challenged from within, for example, by the sometimesrival claims of cultural history, contextualized explanation, or media studies. It is shaken from without by even greater pressures: by ec
410  0$aLiterary agenda.
606   $aAuthorship
606   $aCreative writing
615  0$aAuthorship.
615  0$aCreative writing.
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996   $aThe novel$93990356
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