LEADER 03666nam  2200805   450 
001 9910826075303321
005 20191220145512.0
010   $a1-84779-599-4
010   $a1-78170-335-3
010   $a1-84779-396-7
024 7 $a10.7765/9781847793966
035   $a(CKB)3280000000000440
035   $a(EBL)1069501
035   $a(OCoLC)818847186
035   $a(SSID)ssj0000712715
035   $a(PQKBManifestationID)12280890
035   $a(PQKBTitleCode)TC0000712715
035   $a(PQKBWorkID)10650321
035   $a(PQKB)10075033
035   $a(StDuBDS)EDZ0000085693
035   $a(Au-PeEL)EBL1069501
035   $a(CaPaEBR)ebr10623342
035   $a(CaONFJC)MIL843727
035   $a(MiAaPQ)EBC1069501
035   $a(UkMaJRU)992979891023501631
035   $a(DE-B1597)659126
035   $a(DE-B1597)9781847793966
035   $a(EXLCZ)993280000000000440
100   $a20191220h20132006  fy|            0
101 0 $aeng
135   $aur||#---|||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aAcceptable words $eEssays on the poetry of Geoffrey Hill /$fJeffrey Wainwright
210  1$aManchester, UK :$cManchester University Press,$d2013.
210  4$dİ2006
215   $a1 online resource (x, 155 pages) $cdigital file(s)
300   $aDescription based upon print version of record.
311   $a0-7190-6755-3 
311   $a0-7190-6754-5 
320   $aIncludes bibliographical references.
327   $a9780719067549; 9780719067549; Copyright Page; Contents; Acknowledgements; Abbreviations; 'Acceptable words'; 'The speechless dead': King Log (1968); Poet, lover, liar: 'Lachrimae' (1975); 'Our love is what we love to have':Tenebrae (1978); Things and words: The Mystery of theCharity of Charles Pe?guy (1983); History as poetry: 'Churchill's Funeral' and'De Jure Belli ac Pacis' (Canaan, 1996); The Triumph of Love (1998); 'Beauty is difficult':Speech! Speech! (2000); 'Here and there I pull a flower':The Orchards of Syon (2002)
327   $a'In wintry solstice like the shorten'd light':Scenes from Comus (2005)Afterword: '"I have not finished"'; Notes; Select bibliography; Index
330   $aGeoffrey Hill has said that some great poetry 'recognises that words fail us'. These essays explore Hill's struggle over fifty years with the recalcitrance of language. This book seeks to show how all his work is marked by the quest for the right pitch of utterance whether it is sorrowing, angry, satiric or erotic. It shows how Hill's words are never lightly 'acceptable' but an ethical act, how he seeks out words he can stand by - words that are 'getting it right'.This book is the most comprehensive and up-to-date critical work on Geoffrey Hill so far, covering all his work up to 'Scenes from 
606   $aLiterature$2mup
606   $aLiterary Studies: Poetry & Poets$2bicssc
606   $aLITERARY CRITICISM / European / English, Irish, Scottish, Welsh$2bisach
606   $aIreland$2thema
610   $aGeoffrey Hill.
610   $aScenes from Comus.
610   $alanguage.
610   $apitch.
610   $apoems.
610   $apoetry.
610   $arecalcitrance.
610   $asatiric.
610   $asorrowing.
610   $autterance.
615  7$aLiterature
615  7$aLiterary Studies: Poetry & Poets
615  7$aLITERARY CRITICISM / European / English, Irish, Scottish, Welsh
615  7$aIreland
676   $a821.914
700   $aWainwright$b Jeffrey$01645555
801  2$bUkMaJRU
906   $aBOOK
912   $a9910826075303321
996   $aAcceptable words$93992097
997   $aUNINA