LEADER 04295oam 2200757Ma 450 001 9910825940603321 005 20190503073313.0 010 $a9786612100215 010 $a1-282-10021-1 010 $a0-262-27095-1 010 $a0-585-27082-1 024 8 $a13332650 035 $a(CKB)111004366547718 035 $a(EBL)3338868 035 $a(SSID)ssj0000254281 035 $a(PQKBManifestationID)12041549 035 $a(PQKBTitleCode)TC0000254281 035 $a(PQKBWorkID)10208456 035 $a(PQKB)10028116 035 $a(SSID)ssj0000284617 035 $a(PQKBManifestationID)11229441 035 $a(PQKBTitleCode)TC0000284617 035 $a(PQKBWorkID)10262118 035 $a(PQKB)11746998 035 $a(MiAaPQ)EBC3338868 035 $a(OCoLC)45728041$z(OCoLC)61112744$z(OCoLC)290578174$z(OCoLC)475326381$z(OCoLC)507575365$z(OCoLC)532673238$z(OCoLC)568338272$z(OCoLC)646747502$z(OCoLC)722664711$z(OCoLC)728038211$z(OCoLC)861510361$z(OCoLC)890381538$z(OCoLC)961528835$z(OCoLC)961570872$z(OCoLC)962628466$z(OCoLC)962718397$z(OCoLC)965996076$z(OCoLC)970741877$z(OCoLC)984551171$z(OCoLC)988535390$z(OCoLC)990663856$z(OCoLC)991945256$z(OCoLC)1007389888$z(OCoLC)1030539395$z(OCoLC)1037936252$z(OCoLC)1038559314$z(OCoLC)1038631558$z(OCoLC)1044365837$z(OCoLC)1045501007$z(OCoLC)1049617719$z(OCoLC)1053355850$z(OCoLC)1055401731$z(OCoLC)1056400524$z(OCoLC)1058502507$z(OCoLC)1058552812$z(OCoLC)1077796087$z(OCoLC)1077989935$z(OCoLC)1081229026$z(OCoLC)1097343145 035 $a(OCoLC-P)45728041 035 $a(MaCbMITP)6569 035 $a(Au-PeEL)EBL3338868 035 $a(CaPaEBR)ebr10229581 035 $a(CaONFJC)MIL210021 035 $a(OCoLC)666933587 035 $a(EXLCZ)99111004366547718 100 $a20001009d1999 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSuspensions of perception $eattention, spectacle, and modern culture /$fJonathan Crary 210 $aCambridge, Mass. $cMIT Press$dİ1999 215 $a1 online resource (404 p.) 225 1 $aOctober Books 300 $a"October books." 311 $a0-262-53199-2 311 $a0-262-03265-1 320 $aIncludes bibliographical references (p. [371]-379) and index. 327 $aContents; Acknowledgments; Introduction; ONE Modernity and the Problem of Attention; TWO 1879: Unbinding Vision; THREE 1888: Illuminations of Disenchantment; FOUR 1900: Reinventing Synthesis; EPILOGUE 1907: Spellbound in Rome; Bibliography; Illustration Credits; Index 330 1 $a"Suspensions of Perception is a major historical study of human attention and its volatile role in modern Western culture. It argues that the ways in which we intently look at or listen to anything result from crucial changes in the nature of perception that can be traced back to the second half of the nineteenth century." "Crary approaches these issues through analyses of works by three key modernist painters - Manet, Seurat, and Cezanne - who each engaged in a singular confrontation with the disruptions, vacancies, and rifts within a perceptual field. Each in his own way discovered that sustained attentiveness, rather than fixing or securing the world, led to perceptual disintegration and loss of presence, and each used this discovery as the basis for a reinvention of representation practices." "This book decisively relocates the problem of aesthetic contemplation within a broader collective encounter with the unstable nature of perception - in psychology, philosophy, neurology, early cinema, and photography. In doing so, it provides a historical framework for understanding the current social crisis of attention amid the accelerating metamorphoses of our contemporary technological culture."--Jacket. 606 $aSelectivity (Psychology) 606 $aPerception 606 $aAttention 606 $aSubjectivity 610 $aARTS/General 615 0$aSelectivity (Psychology) 615 0$aPerception. 615 0$aAttention. 615 0$aSubjectivity. 676 $a153.7 700 $aCrary$b Jonathan$0308150 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910825940603321 996 $aSuspensions of perception$9230384 997 $aUNINA