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005 20200520144314.0
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035   $a(OCoLC)191953339
035   $a(CaPaEBR)ebrary10158191
035   $a(SSID)ssj0000282527
035   $a(PQKBManifestationID)11214726
035   $a(PQKBTitleCode)TC0000282527
035   $a(PQKBWorkID)10324651
035   $a(PQKB)10402569
035   $a(MiAaPQ)EBC3118164
035   $a(Au-PeEL)EBL3118164
035   $a(CaPaEBR)ebr10158191
035   $a(EXLCZ)991000000000522187
100   $a20061004d2006      uy         0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 00$aOral performance, popular tradition, and hidden transcript in Q /$fedited by Richard A. Horsley
205   $a1st ed.
210   $aAtlanta $cSociety of Biblical Literature$d2006
215   $a1 online resource (239 p.) 
225 1 $aSociety of Biblical Literature Semeia Studies ;$vv. 60
300   $aBibliographic Level Mode of Issuance: Monograph
311   $a1-58983-248-5 
320   $aIncludes bibliographical references.
327   $aIntro -- Contents -- Introduction -- Part One: Oral Performance and Popular Tradition in Q -- The Verbal Art in Q and Thomas -- Performance and Tradition -- Jesus' "Covenantal Discourse" on the Plain (Luke 6:12-7:17) as Oral Performance -- Responses -- Response to Kelber, Horsley, and Draper -- Oral Performance in Q -- The Riddle of Q -- Part Two: Moral Economy and Hidden Transcript: Applying the Work of James C. Scott to Q -- Moral Economy and Renewal Movement in Q -- The Jesus Movement in the Villages of Roman Galilee -- Going Public with the Hidden Transcript in Q11 -- Communities Resisting Fragmentation -- Response -- The Work of James C. Scott and Q -- Bibliography.
410  0$aSemeia studies ;$vv. 60.
606   $aQ hypothesis (Synoptics criticism)
606   $aTwo source hypothesis (Synoptics criticism)
606   $aPublic speaking$xReligious aspects$xChristianity
606   $aOral tradition
615  0$aQ hypothesis (Synoptics criticism)
615  0$aTwo source hypothesis (Synoptics criticism)
615  0$aPublic speaking$xReligious aspects$xChristianity.
615  0$aOral tradition.
676   $a226/.066
701   $aHorsley$b Richard A$0157140
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910825938003321
996   $aOral performance, popular tradition, and hidden transcript in Q$94104202
997   $aUNINA