LEADER 02937nam 2200625 450 001 9910788981603321 005 20230831185720.0 010 $a3-11-080558-8 024 7 $a10.1515/9783110805581 035 $a(CKB)3390000000033147 035 $a(SSID)ssj0000849365 035 $a(PQKBManifestationID)11453904 035 $a(PQKBTitleCode)TC0000849365 035 $a(PQKBWorkID)10810037 035 $a(PQKB)10446541 035 $a(MiAaPQ)EBC3049905 035 $a(DE-B1597)42526 035 $a(OCoLC)979754917 035 $a(DE-B1597)9783110805581 035 $a(Au-PeEL)EBL3049905 035 $a(CaPaEBR)ebr11035951 035 $a(CaONFJC)MIL805916 035 $a(OCoLC)922950888 035 $a(EXLCZ)993390000000033147 100 $a19980722d1998 uy| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aLanguage and power in the creation of the USSR, 1917-1953 /$fby Michael G. Smith 205 $aReprint 2012 210 1$aBerlin ;$aNew York :$cMouton de Gruyter,$d1998. 215 $a1 online resource (312 pages) 225 1 $aContributions to the sociology of language ;$v80 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a3-11-016197-4 320 $aIncludes bibliographical references (pages [229]-286) and index. 327 $tFrontmatter --$tPreface --$tContents --$tIntroduction --$tPart I. Historical challenges --$tChapter 1. Democracy and language in late imperial Russia --$tChapter 2. Divided speech communities of the Soviet Union --$tPart II. Theoretical approaches --$tChapter 3. G.G. Shpet, linguistic structure, and the Eurasian imperative in Soviet language reform --$tChapter 4. N.Ia. Marr, language history, and the Stalin cultural revolution --$tPart III. Practical experiments --$tChapter 5. Mass mobilizing for Russian literacy: scripts, grammar and style --$tChapter 6. "A revolution for the east": Latin alphabets and their polemics --$tPart IV. Statist solutions --$tChapter 7. The official campaign for Russian language culture --$tChapter 8. Stalin's linguistic theories as cultural conquest --$tConclusion --$tAbbreviations and acronyms --$tNotes --$tArchival sources --$tReferences --$tIndex --$tBackmatter 410 0$aContributions to the sociology of language ;$v80. 606 $aLanguage policy$zSoviet Union 607 $aSoviet Union$xLanguages$xPolitical aspects 607 $aSoviet Union$xPolitics and government$y1917-1936 607 $aSoviet Union$xPolitics and government$y1936-1953 615 0$aLanguage policy 676 $a306.44/947/0904 686 $aKG 1055$2rvk 700 $aSmith$b Michael G.$f1960-$01478135 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910788981603321 996 $aLanguage and power in the creation of the USSR, 1917-1953$93793217 997 $aUNINA LEADER 03339nam 2200601 450 001 9910825900603321 005 20230801232416.0 010 $a1-4411-2694-5 010 $a1-4411-5562-7 035 $a(CKB)3230000000213969 035 $a(StDuBDS)AH25461357 035 $a(SSID)ssj0001196819 035 $a(PQKBManifestationID)12520121 035 $a(PQKBTitleCode)TC0001196819 035 $a(PQKBWorkID)11167081 035 $a(PQKB)11288487 035 $a(MiAaPQ)EBC1751443 035 $a(Au-PeEL)EBL1751443 035 $a(CaPaEBR)ebr10867490 035 $a(CaONFJC)MIL615739 035 $a(OCoLC)893331598 035 $a(EXLCZ)993230000000213969 100 $a20140514h20122012 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDeleuze and film $ea feminist introduction /$fTeresa Rizzo 210 1$aLondon, England ;$aNew York :$cContinuum,$d2012. 210 4$dİ2012 215 $a1 online resource (195 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-4411-1340-1 320 $aIncludes bibliographical references and index. 327 $aAcknowledgements \ Introduction \ 1. The Cinematic Apparatus and the Transcendental Subject \ 2. Re-thinking Representation: New Lines of Thought in Feminist Philosophy \ 3. Cinematic Assemblages: An Ethological Approach to Film-viewing \ 4. The Slasher Film: A Deleuzian Feminist Analysis \ 5. The Alien Series: Alien-Becomings, Human-Becomings \ 6. The Molecular Poetics of the Assemblage: Before Night Falls \ Conclusion: A Feminist Cinematic Assemblage \ Notes \ Bibliography \ Index 330 $aThis volume proposes a new way of thinking about cinematic viewing by exploring it as a bodily and emotional experience. It introduces Gilles Deleuze and Felix Guattari's concept of the assemblage and uses it to understand the relationship between film and viewer. 330 $bIn the first book-length introduction to Deleuze's work on film from a feminist perspective, Teresa Rizzo ranges across Deleuze's books on Cinema, his other writings, and feminist re-workings of his philosophy to re-think the film viewing experience. More than a commentary on Deleuze's books on Cinema, Rizzo's work addresses a significant gap in film theory, building a bridge between the spectatorship studies and apparatus theories of the 1970s, and new theorisations of the cinematic experience. Developing a concept of a aecinematic assemblage', the book focuses on affective and intensive connections between film and viewer. Through a careful analysis of a range of film texts and genres that have been important to feminist film scholarship, such as the Alien series and the modern horror film, Rizzo puts Deleuze's key concepts to work in exciting new ways. 606 $aFeminism and motion pictures 606 $aFeminist film criticism 606 $aMotion pictures$xPhilosophy 615 0$aFeminism and motion pictures. 615 0$aFeminist film criticism. 615 0$aMotion pictures$xPhilosophy. 676 $a791.43/6522 700 $aRizzo$b Teresa$01721160 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910825900603321 996 $aDeleuze and film$94120435 997 $aUNINA