LEADER 00933cam0-22003131i-450- 001 990006120150403321 005 20060307112911.0 035 $a000612015 035 $aFED01000612015 035 $a(Aleph)000612015FED01 035 $a000612015 100 $a20000112d1914----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $ay-------001yy 200 1 $a"Lis contestata" e "controversia mota"$fEmilio Albertario 210 $aPavia$cPremiata Tipografia Successori Fratelli Fusi$d1914 215 $a566_577 p.$d24 cm 225 1 $aReale Istituto Lombardo di Scienze e Lettere 676 $a340.5 700 1$aAlbertario,$bEmilio$0222121 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990006120150403321 952 $aB.SOL.BUSTA A 118$b64375$fFGBC 952 $aB.SOL.BUSTA A 117$b64375$fFGBC 959 $aFGBC 996 $a"Lis contestata" e "controversia mota"$9644113 997 $aUNINA LEADER 01277nam a22002651i 4500 001 991003048789707536 005 20030827112404.0 008 030925s1976 gw |||||||||||||||||ger 020 $a3769614798 035 $ab12373138-39ule_inst 035 $aARCHE-042066$9ExL 040 $aBiblioteca Interfacoltà$bita$cA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l. 082 04$a234.163 100 1 $aPascher, Joseph$0186241 245 10$aWertung und behandlung der zeichen bei der neuordnung der römischen Eucharistiefeier :$bvorgetragen am 2. Juli 1976 /$cJoseph Pascher 260 $aMünchen :$bVerlag der Bayerischen akademie der wissenschaften, in Kommission bei der C.H. Beck'schen verlagsbuchhandlung,$c1976 300 $a39 p. ;$c22 cm 440 0$aSitzungsberichte / Bayerische akademie der wissenschaften.$pPhilosophisch-historische klasse ;$vJahrg. 1976/4 650 4$aEucarestia 907 $a.b12373138$b02-04-14$c08-10-03 912 $a991003048789707536 945 $aLE002 Ann. 564/004 (1976)$g1$i2002000135384$lle002$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i12778229$z08-10-03 996 $aWertung und behandlung der zeichen bei der neuordnung der römischen Eucharistiefeier$9170083 997 $aUNISALENTO 998 $ale002$b08-10-03$cm$da $e-$fger$ggw $h0$i1 LEADER 03339nam 2200601 450 001 9910825900603321 005 20230801232416.0 010 $a1-4411-2694-5 010 $a1-4411-5562-7 035 $a(CKB)3230000000213969 035 $a(StDuBDS)AH25461357 035 $a(SSID)ssj0001196819 035 $a(PQKBManifestationID)12520121 035 $a(PQKBTitleCode)TC0001196819 035 $a(PQKBWorkID)11167081 035 $a(PQKB)11288487 035 $a(MiAaPQ)EBC1751443 035 $a(Au-PeEL)EBL1751443 035 $a(CaPaEBR)ebr10867490 035 $a(CaONFJC)MIL615739 035 $a(OCoLC)893331598 035 $a(EXLCZ)993230000000213969 100 $a20140514h20122012 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDeleuze and film $ea feminist introduction /$fTeresa Rizzo 210 1$aLondon, England ;$aNew York :$cContinuum,$d2012. 210 4$d©2012 215 $a1 online resource (195 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-4411-1340-1 320 $aIncludes bibliographical references and index. 327 $aAcknowledgements \ Introduction \ 1. The Cinematic Apparatus and the Transcendental Subject \ 2. Re-thinking Representation: New Lines of Thought in Feminist Philosophy \ 3. Cinematic Assemblages: An Ethological Approach to Film-viewing \ 4. The Slasher Film: A Deleuzian Feminist Analysis \ 5. The Alien Series: Alien-Becomings, Human-Becomings \ 6. The Molecular Poetics of the Assemblage: Before Night Falls \ Conclusion: A Feminist Cinematic Assemblage \ Notes \ Bibliography \ Index 330 $aThis volume proposes a new way of thinking about cinematic viewing by exploring it as a bodily and emotional experience. It introduces Gilles Deleuze and Felix Guattari's concept of the assemblage and uses it to understand the relationship between film and viewer. 330 $bIn the first book-length introduction to Deleuze's work on film from a feminist perspective, Teresa Rizzo ranges across Deleuze's books on Cinema, his other writings, and feminist re-workings of his philosophy to re-think the film viewing experience. More than a commentary on Deleuze's books on Cinema, Rizzo's work addresses a significant gap in film theory, building a bridge between the spectatorship studies and apparatus theories of the 1970s, and new theorisations of the cinematic experience. Developing a concept of a aecinematic assemblage', the book focuses on affective and intensive connections between film and viewer. Through a careful analysis of a range of film texts and genres that have been important to feminist film scholarship, such as the Alien series and the modern horror film, Rizzo puts Deleuze's key concepts to work in exciting new ways. 606 $aFeminism and motion pictures 606 $aFeminist film criticism 606 $aMotion pictures$xPhilosophy 615 0$aFeminism and motion pictures. 615 0$aFeminist film criticism. 615 0$aMotion pictures$xPhilosophy. 676 $a791.43/6522 700 $aRizzo$b Teresa$01721160 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910825900603321 996 $aDeleuze and film$94120435 997 $aUNINA