LEADER 04914nam 2200469 450 001 9910825853503321 005 20230331145848.0 010 $a90-04-23586-8 024 7 $a10.1163/9789004235861 035 $a(CKB)3710000001529575 035 $a(MiAaPQ)EBC5045661 035 $a(OCoLC)989811434 035 $a(nllekb)BRILL9789004235861 035 $a(EXLCZ)993710000001529575 100 $a20171014h20172017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aArt history as social praxis $ethe collected writings of David Craven /$fedited by Brian Winkenweder 210 1$aLeiden, [The Netherlands] ;$aBoston, [Massachusetts] :$cBRILL,$d2017. 210 4$d©2017 215 $a1 online resource (583 pages) 225 1 $aHistorical Materialism Book Series,$x1570-1522 ;$vVolume 139 311 $a90-04-23585-X 320 $aIncludes bibliographical references and index. 327 $tFront Matter /$rBrian Winkenweder --$tDavid Craven, Democratic Socialism and Art History /$rBrian Winkenweder --$tMondrian De-Mythologised: Towards a Newer Virgil /$rBrian Winkenweder --$tCharles Biederman and Art Theory /$rBrian Winkenweder --$tMarcel Duchamp and the Perceptual Dimension of Conceptual Art /$rBrian Winkenweder --$tRobert Smithson?s ?Liquidating Intellect? /$rBrian Winkenweder --$tRichard Serra and the Phenomenology of Perception /$rBrian Winkenweder --$tHans Haacke and the Aesthetics of Dependency Theory /$rBrian Winkenweder --$tNorman Lewis as Political Activist and Post-Colonial Artist /$rBrian Winkenweder --$tRené Magritte and the Spectre of Commodity Fetishism /$rBrian Winkenweder --$tRuskin vs. Whistler: The Case against Capitalist Art /$rBrian Winkenweder --$tThe Critique-Poésie of Thomas Hess /$rBrian Winkenweder --$tJohn Berger as Art Critic /$rBrian Winkenweder --$tMeyer Schapiro, Karl Korsch and the Emergence of Critical Theory /$rBrian Winkenweder --$tClement Greenberg and the ?Triumph? of Western Art /$rBrian Winkenweder --$tAesthetics as Ethics in the Writings of Robert Motherwell and Meyer Schapiro /$rBrian Winkenweder --$tPrerequisites for a New Criticism /$rBrian Winkenweder --$tHerbert Marcuse on Aesthetics /$rBrian Winkenweder --$tCorporate Capitalism and South Africa /$rBrian Winkenweder --$tPopular Culture versus Mass Culture /$rBrian Winkenweder --$tHegemonic Art History /$rBrian Winkenweder --$tArt History and the Challenge of Post-Colonial Modernism /$rBrian Winkenweder --$tC.L.R. James as a Critical Theorist of Modernist Art /$rBrian Winkenweder --$tPresent Indicative Politics and Future Perfect Positions: Barack Obama and Third Text /$rBrian Winkenweder --$tFormative Art and Social Transformation: The Nicaraguan Revolution on Its Tenth Anniversary (1979?1989) /$rBrian Winkenweder --$tCuban Art and the Democratisation of Culture /$rBrian Winkenweder --$tThe Latin American Origins of Alternative Modernism /$rBrian Winkenweder --$tPost-Colonial Modernism in the Work of Diego Rivera and José Carlos Mariátegui /$rBrian Winkenweder --$tRealism Revisited and Re-Theorised in ?Pan-American? Terms /$rBrian Winkenweder --$tAbstract Expressionism, Automatism and the Age of Automation /$rBrian Winkenweder --$tAbstract Expressionism and Third World Art: A Post-Colonial Approach to ?American? Art /$rBrian Winkenweder --$tNew Documents: The Unpublished FBI Files on Ad Reinhardt, Mark Rothko, and Adolph Gottlieb /$rBrian Winkenweder --$tA Legacy for the Latin American Left: Abstract Expressionism as Anti-Imperialist Art /$rBrian Winkenweder --$tPostscript. Different Conceptions of Art: An Outline /$rBrian Winkenweder --$tBibliography /$rBrian Winkenweder --$tIndex /$rBrian Winkenweder. 330 $aArt History as Social Praxis: The Collected Writings of David Craven brings together more than thirty essays that chart the development of Craven?s voice as an unorthodox Marxist who applied historical materialism to the study of modern art. This book demonstrates the range and versatility of David Craven?s praxis as a ?democratic socialist? art historian who assessed the essential role the visual arts play in imagining more just and equitable societies. The essays collected here reveal Craven?s lifelong commitment to exposing interstices between western and non-western cultures by researching the reciprocating influences between First- and Third-World artists, critics and historians. 410 0$aHistorical materialism book series ;$vVolume 139. 606 $aArt 615 0$aArt. 676 $a700 700 $aCraven$b David$f1951-2012,$01683759 702 $aWinkenweder$b Brian 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910825853503321 996 $aArt history as social praxis$94054778 997 $aUNINA