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200 00$aKinesthetic empathy in creative and cultural practices$b[electronic resource] /$fedited by Dee Reynolds and Matthew Reason
210   $aBristol, UK ;$aChicago, IL $cIntellect$d2012
215   $a1 online resource (338 p.)
300   $aDescription based upon print version of record.
311   $a1-84150-491-2 
320   $aIncludes bibliographical references and index.
327   $aFrontCover; Half-title; Title; Copyright; Contents; Acknowledgements; Foreword; Introduction; Part I: Mirroring Movements: Empathy and Social Interactions; Introduction; Chapter 1: Knowing Me, Knowing You: Autism, Kinesthetic Empathy and Applied Performance; Chapter 2: Kinesthetic Empathy and Movement Metaphor in Dance Movement Psychotherapy; Chapter 3: Affective Responses to Everyday Actions; Part II: Kinesthetic Engagement: Embodied Responses and Intersubjectivity; Introduction; Chapter 4: Cinematic Empathy: Spectator Involvement in the Film Experience
327   $aChapter 5: Musical Group Interaction, Intersubjectivity and Merged SubjectivityChapter 6: Kinesthetic Empathy and the Dance's Body: From Emotion to Affect; Part III: Kinesthetic Impact: Performance and Embodied Engagement; Introduction; Chapter 7: Kinesthetic Empathy in Charlie Chaplin's Silent Films; Chapter 8: Effort and Empathy: Engaging with Film Performance; Chapter 9: Breaking the Distance: Empathy and Ethical Awareness in Performance; Part IV: Artistic Enquiries: Kinesthetic Empathy and Practice-Based Research; Introduction
327   $aChapter 10: R e-Thinking Stillness: Empathetic Experiences of Stillness in Performance and SculptureChapter 11: Empathy and Exchange: Audience Experiences of Scenography; Chapter 12: Photography and the Representation of Kinesthetic Empathy; Part V: Technological Practices: Kinesthetic Empathy in Virtual and Interactive Environments; Introduction; Chapter 13: T he Poetics of Motion Capture and Visualisation Techniques: The Differences between Watching Real and Virtual Dancing Bodies; Chapter 14: Interactive Multimedia Performance and the Audience's Experience of Kinesthetic Empathy
327   $aChapter 15: Kinesthetic Empathy Interaction: Exploring the Concept of Psychomotor Abilities and Kinesthetic Empathy in Designing Interactive SportsEquipmentConclusion; Notes on Contributors; Index; BackCover
330   $aA key interdisciplinary concept in our understanding of social interaction across creative and cultural practices, kinesthetic empathy describes the ability
606   $aDance$xPsychological aspects
606   $aSocial interaction
615  0$aDance$xPsychological aspects.
615  0$aSocial interaction.
676   $a306
701   $aReynolds$b Dee$01655324
701   $aReason$b Matthew$f1975-$0913280
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910825799303321
996   $aKinesthetic empathy in creative and cultural practices$94007674
997   $aUNINA