LEADER 04222nam 2200661Ia 450 001 9910825784603321 005 20200520144314.0 010 $a988-220-222-5 010 $a1-282-70495-8 010 $a9786612704956 035 $a(CKB)2550000000031479 035 $a(SSID)ssj0000422739 035 $a(PQKBManifestationID)11250227 035 $a(PQKBTitleCode)TC0000422739 035 $a(PQKBWorkID)10432617 035 $a(PQKB)10258074 035 $a(SSID)ssj0000519038 035 $a(PQKBManifestationID)11338243 035 $a(PQKBTitleCode)TC0000519038 035 $a(PQKBWorkID)10497371 035 $a(PQKB)11692293 035 $a(OCoLC)650591682 035 $a(MdBmJHUP)muse7293 035 $a(Au-PeEL)EBL677325 035 $a(CaPaEBR)ebr10387821 035 $a(CaONFJC)MIL270495 035 $a(MiAaPQ)EBC677325 035 $a(EXLCZ)992550000000031479 100 $a20050214d2005 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aMasculinities and Hong Kong cinema /$fedited by Laikwan Pang & Day Wong 205 $a1st ed. 210 $aHong Kong $cHong Kong University Press$dc2005 215 $axi, 342 p 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a962-209-737-5 311 $a962-209-738-3 320 $aIncludes bibliographical references (p. 317-331) and index. 327 $aIntro -- Contents -- Acknowledgements -- Contributors -- Introduction -- Part I - History and Lineage -- 1.Making Movies Male: Zhang Che and the Shaw Brothers Martial Arts Movies, 1965-1975 -- 2.Post-1997 Hong Kong Masculinity -- 3.Queering Masculinity in Hong Kong Movies -- 4.Unsung Heroes: Reading Transgender Subjectivities in Hong Kong Action Cinema -- Part II - Transnational Significations -- 5.Kung Fu Films in Diaspora: Death of the Bamboo Hero -- 6.Obtuse Music and Nebulous Males: The Haunting Presence of Taiwan in Hong Kong Films of the 1990s -- 7.Fighting Female Masculinity: Women Warriors and Their Foreignness in Hong Kong Action Cinema of the 1980s -- 8.An Unworthy Subject: Slaughter, Cannibalism and Postcoloniality -- Part III - Production, Reception, and Mediation -- 9.Bringing Breasts into the Mainstream -- 10.Post-Fordist Production and the Re-appropriation of Hong Kong Masculinity in Hollywood -- 11.Masculinities in Self-Invention: Critics' Discourses on Kung Fu-Action Movies and Comedies -- 12.Women's Reception of Mainstream Hong Kong Cinema -- Notes -- Glossary -- Bibliography -- Index. 330 $aThis collection of exciting essays explores how the representations and the ideologies of masculinities can be productively studied in the context of Hong Kong cinema. It has two objectives: first, to investigate the multiple meanings and manifestations of masculinities in Hong Kong cinema that compliment and contradict each other. Second, to analyze the social and cultural environments that make these representations possible and problematic. "Masculinities and Hong Kong Cinema" presents a comprehensive picture of how Hong Kong mainstream cinematic masculinities are produced within their own socio-cultural discourses, and how these masculinities are distributed, received, and transformed within the setting of the market place.The volume is divided into three interrelated parts: the local cinematic tradition; the transnational context and reverberations; and the larger production, reception, and mediation environments. These three perspectives will reveal the dynamics and tensions between the local and the transnational, between production and reception, and between text and context, in the gendered manifestations of Hong Kong cinema. 606 $aMotion pictures$zChina$zHong Kong$xHistory 606 $aMasculinity in motion pictures 615 0$aMotion pictures$xHistory. 615 0$aMasculinity in motion pictures. 676 $a791.43653095125 701 $aPang$b Laikwan$0856584 701 $aWong$b Day$01630163 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910825784603321 996 $aMasculinities and Hong Kong cinema$93968311 997 $aUNINA