LEADER 04039nam 22006975 450 001 9910825742603321 005 20211022012805.0 010 $a1-4426-6202-6 010 $a1-4426-6201-8 024 7 $a10.3138/9781442662018 035 $a(CKB)2670000000419691 035 $a(EBL)3287119 035 $a(SSID)ssj0001150925 035 $a(PQKBManifestationID)11742410 035 $a(PQKBTitleCode)TC0001150925 035 $a(PQKBWorkID)11112804 035 $a(PQKB)10962458 035 $a(CEL)439905 035 $a(OCoLC)852803604 035 $a(CaBNVSL)slc00232668 035 $a(MiAaPQ)EBC3287119 035 $a(MiAaPQ)EBC4669221 035 $a(DE-B1597)483143 035 $a(OCoLC)1004886638 035 $a(DE-B1597)9781442662018 035 $a(EXLCZ)992670000000419691 100 $a20170913d2017 fg 0 101 0 $aeng 135 $aurun#---unuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aForeign Modernism $eCosmopolitanism, Identity, and Style in Paris /$fIhor Junyk 210 1$aToronto :$cUniversity of Toronto Press,$d[2017] 210 4$d©2013 215 $a1 online resource (195 p.) 311 $a1-4875-5174-6 311 $a1-4426-4519-9 320 $aIncludes bibliographical references (p.[155]-167) and index. 327 $tFront matter --$tContents --$tList of Illustrations --$tAcknowledgments --$tIntroduction --$t1. Travelling Culture: Rilke, Rodin, and the Poetics of Displacement --$t2. Becoming Minor: Archipenko, Bergson, and Deterritorialization --$t3. The Aeneid of Modern Times: Hybridity and Cosmopolitanism in Parade --$t4. A Call to Order: Nostalgia and the Vicissitudes of Cosmopolitan Identity in Igor Stravinsky --$t5. The Face of the Nation: State Fetishism and Métissage at the Exposition Internationale, Paris 1937 --$tEpilogue: The Battle of the Tuileries: Cosmopolitanism and Cultural Memory in France --$tNotes --$tBibliography --$tIndex 330 $aAt the beginning of the twentieth century, Paris was the cosmopolitan hub of Europe and home to a vast number of foreigners - including the writers, painters, sculptors, and musicians who were creating works now synonymous with modernism itself, such as Les Desmoiselles d'Avignon, The Rite of Spring, and Ulysses. The situation at the end of the period, however, could not have been more different: even before the violence of the Second World War, the cosmopolitan avant-garde had largely abandoned Paris, driven out by nationalism, xenophobia, and intolerance.Foreign Modernism investigates this tense and transitional moment for both modernism and European multiculturalism by looking at the role of foreigners in Paris's artistic scene. Examining works of literature, sculpture, ballet and performing arts, music, and architecture, Ihor Junyk combines cultural history with contemporary work in transnationalism and diaspora studies. Junyk emphasizes how émigré artists used radical new forms of art to resist the culture of virulent nationalism taking root in France, and to articulate new forms of cosmopolitan identity. 606 $aArts, French$zFrance$zParis$xForeign influences 606 $aArts, French$zFrance$zParis$y20th century 606 $aImmigrants$zFrance$zParis$xIntellectual life$y20th century 606 $aNoncitizens$zFrance$zParis$xIntellectual life$y20th century 606 $aCultural pluralism$zFrance$zParis$xHistory$y20th century 607 $aParis (France)$xCivilization$xForeign influences 607 $aParis (France)$xCivilization$y20th century 615 0$aArts, French$xForeign influences. 615 0$aArts, French 615 0$aImmigrants$xIntellectual life 615 0$aNoncitizens$xIntellectual life 615 0$aCultural pluralism$xHistory 676 $a700.944/3610904 700 $aJunyk$b Ihor$01709317 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910825742603321 996 $aForeign Modernism$94099003 997 $aUNINA