LEADER 03037nam 2200601 450 001 9910825663303321 005 20230928223412.0 010 $a0-253-01056-X 010 $a0-253-01072-1 035 $a(CKB)2550000001131524 035 $a(EBL)1480841 035 $a(OCoLC)861081914 035 $a(SSID)ssj0001002394 035 $a(PQKBManifestationID)11649979 035 $a(PQKBTitleCode)TC0001002394 035 $a(PQKBWorkID)10998220 035 $a(PQKB)10776237 035 $a(MdBmJHUP)muse32232 035 $a(Au-PeEL)EBL1480841 035 $a(CaPaEBR)ebr10783785 035 $a(CaONFJC)MIL531233 035 $a(MiAaPQ)EBC1480841 035 $a(EXLCZ)992550000001131524 100 $a20131021h20142014 uy| 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt 182 $cc 183 $acr 200 10$aRichard E. Norman and race filmmaking /$fBarbara Tepa Lupack ; foreword by Michael T. Martin 210 1$aBloomington :$cIndiana University Press,$d[2014] 210 4$dİ2014 215 $a1 online resource (400 p.) 300 $aDescription based upon print version of record. 311 $a0-253-01064-0 311 $a1-299-99982-4 320 $aIncludes bibliographical references and index. 327 $aForeword by Michael T. Martin -- Introduction: new visions of opportunity -- Race matters: the evolution of race filmmaking -- "Have you talent?": Norman's early career -- "Not a white man in the cast": Norman's early race films -- "Taking two hides from the ox": The bull-dogger and The crimson skull -- "A risky experiment": Zircon and regeneration -- "You know we have the goods": The flying ace and Black gold -- "It takes a darn good one to stick": Norman's later career -- Afterword -- Appendix 1: shooting script: The green eyed monster -- Appendix 2: shooting script (fragment) and scenario: The bull-dogger -- Appendix 3: shooting script: The crimson skull. 330 $aIn the early 1900's, so-called race filmmakers set out to produce black-oriented pictures to counteract the racist caricatures that had dominated cinema from its inception. Richard E. Norman, a southern-born white filmmaker, was one such pioneer. From humble beginnings as a roving ""home talent"" filmmaker, recreating photo plays that starred local citizens, Norman would go on to produce high-quality feature-length race pictures. Together with his better-known contemporaries Oscar Micheaux and Noble and George Johnson, Richard E. Norman helped to define early race film making. Making use of 606 $aRace films 606 $aAfrican Americans in motion pictures 615 0$aRace films. 615 0$aAfrican Americans in motion pictures. 676 $a791.43/0233/092 700 $aLupack$b Barbara Tepa$01660842 701 $aMartin$b Michael T$01660843 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910825663303321 996 $aRichard E. Norman and race filmmaking$94016351 997 $aUNINA