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035   $a(EBL)166139
035   $a(OCoLC)150645627
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035   $a(MiAaPQ)EBC166139
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100   $a19911001d1992      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aSelling the sixties $ethe pirates and pop music radio /$fRobert Chapman
205   $a1st ed.
210   $aLondon ;$aNew York $cRoutledge$d1992
215   $a1 online resource (308 p.)
300   $aDescription based upon print version of record.
311   $a0-415-07970-5 
311   $a0-415-07817-2 
320   $aIncludes bibliographical references (p. 279-286) and index.
327   $aBook Cover; Title; Copyright; Contents
330   $aWas it a non-stop psychedelic party or was there more to pirate radio in the sixties than hedonism and hip radicalism? From Kenny Everett's sacking to John Peel's legendary `Perfumed Garden' show, to the influence of the multi-national ad agencies, and the eventual assimilationof aspects of unofficial pop radio into Radio One, Selling the Sixties examines the boom of private broadcasting in Britain. Using two contrasting models of pop piracy, Radios Caroline and London, Robert Chapman sets pirate radio in its social and cultural context. In doing so he challenges the myths surroun
606   $aPirate radio broadcasting$zGreat Britain$xHistory
606   $aPopular music$y1961-1970$xHistory and criticism
615  0$aPirate radio broadcasting$xHistory.
615  0$aPopular music$xHistory and criticism.
676   $a384.54
700   $aChapman$b Robert$f1954-$01753686
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
856   $ahttps://ebookcentral-proquest-com.salford.idm.oclc.org/lib/salford/detail.action?docID=166139
906   $aBOOK
912   $a9910825568003321
996   $aSelling the sixties$94189666
997   $aUNINA