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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
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183   $acr
200 10$aEnglish fiction in the 1930s $elanguage, genre, history /$fChris Hopkins
205   $a1st ed.
210   $aLondon ;$aNew York $cContinuum$dc2006
215   $a1 online resource (189 p.)
225 1 $aContinuum literary studies series
300   $aDescription based upon print version of record.
311   $a0-8264-8938-9 
320   $aIncludes bibliographical references and index.
327   $apt. 1. Modernism and modernity -- pt. 2. Documentary and proletarian pastoral -- pt. 3. History and the historical novel -- pt. 4. Thrillers and dystopias.
330   $aThis study approaches the fiction of the 1930s through critical debates about genre, language and history, setting these in their original context, and discussing the generic forms most favoured by novelists at the time.  Chris Hopkins uses a series of case studies of texts to draw on, develop or explore the boundaries, contemporary usefulness and complexities of particular prose genres. Generic debates and the political-aesthetic effects of different kinds of representation were live issues as discursive struggles and negotiations took place between modernist and realist modes, between high, 
410  0$aContinuum literary studies.
606   $aEnglish fiction$y20th century$xHistory and criticism
606   $aNineteen thirties
615  0$aEnglish fiction$xHistory and criticism.
615  0$aNineteen thirties.
676   $a823.91209
700   $aHopkins$b Chris$f1960-$01676617
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996   $aEnglish fiction in the 1930s$94042926
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