LEADER 03154nam 2200649Ia 450 001 9910825408703321 005 20200520144314.0 010 $a1-280-10874-6 010 $a9786613520661 010 $a0-520-95152-2 024 7 $a10.1525/9780520951525 035 $a(CKB)2670000000161808 035 $a(EBL)877903 035 $a(OCoLC)782879943 035 $a(SSID)ssj0000656053 035 $a(PQKBManifestationID)11383969 035 $a(PQKBTitleCode)TC0000656053 035 $a(PQKBWorkID)10631304 035 $a(PQKB)10680943 035 $a(StDuBDS)EDZ0000092608 035 $a(MiAaPQ)EBC877903 035 $a(MdBmJHUP)muse30962 035 $a(DE-B1597)520541 035 $a(DE-B1597)9780520951525 035 $a(Au-PeEL)EBL877903 035 $a(CaPaEBR)ebr10546801 035 $a(CaONFJC)MIL352066 035 $a(dli)HEB33901 035 $a(MiU) MIU01100000000000000001082 035 $a(EXLCZ)992670000000161808 100 $a20111109d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFrom madrigal to opera $eMonteverdi's staging of the self /$fMauro Calcagno 205 $aFirst edition. 210 $aBerkeley, California $cUniversity of California Press$d2012 215 $a1 online resource (343 pages) 225 0 $aACLS Fellows' Publications. 300 $aDescription based upon print version of record. 311 $a0-520-26768-0 320 $aIncludes bibliographical references and index. 327 $tFrontmatter --$tContents --$tIllustrations --$tAcknowledgments --$tIntroduction --$tPart One. La Musica and Orfeo --$tPart Two. Constructing the Narrator --$tPart Three. Staging the Self --$tEpilogue: Subjectivity, Theatricality, Multimediality --$tAppendix 1: Tables of Contents of the Madrigal Books --$tAppendix 2: Monteverdi, Combattimento di Tancredi e Clorinda: Text and Translation --$tNotes --$tIndex 330 $aThis pathbreaking study links two traditionally separate genres as their stars crossed to explore the emergence of multiple selves in early modern Italian culture and society. Mauro Calcagno focuses on the works of Claudio Monteverdi, a master of both genres, to investigate how they reflect changing ideas about performance and role-playing by singers. Calcagno traces the roots of dialogic subjectivity to Petrarch's love poetry arguing that Petrarchism exerted a powerful influence not only on late Renaissance literature and art, but also on music. Covering more than a century of music and cultural history, the book demonstrates that the birth of opera relied on an important feature of the madrigalian tradition: the role of the composer as a narrative agent enabling performers to become characters and hold a specific point of view. 606 $aPetrarchism 615 0$aPetrarchism. 676 $a782.0092 700 $aCalcagno$b Mauro P$01616845 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910825408703321 996 $aFrom madrigal to opera$93947773 997 $aUNINA