LEADER 03401nam 2200625Ia 450 001 9910825354303321 005 20200520144314.0 010 $a0-7914-7705-3 010 $a1-4416-0377-8 024 7 $a10.1515/9780791477052 035 $a(CKB)1000000000722512 035 $a(OCoLC)316432506 035 $a(CaPaEBR)ebrary10575928 035 $a(SSID)ssj0000165633 035 $a(PQKBManifestationID)11153109 035 $a(PQKBTitleCode)TC0000165633 035 $a(PQKBWorkID)10142942 035 $a(PQKB)10544306 035 $a(MiAaPQ)EBC3407502 035 $a(Au-PeEL)EBL3407502 035 $a(CaPaEBR)ebr10575928 035 $a(OCoLC)923405218 035 $a(DE-B1597)682346 035 $a(DE-B1597)9780791477052 035 $a(EXLCZ)991000000000722512 100 $a20080520d2009 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aGreen peony and the rise of the Chinese martial arts novel /$fMargaret B. Wan 205 $a1st ed. 210 $aAlbany, NY $cState University of New York Press$dc2009 215 $a1 online resource (248 p.) 225 1 $aSuny series in Chinese philosophy and cultures 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-7914-7701-0 320 $aIncludes bibliographical references (p. 213-224) and index. 327 $tFront Matter -- $tContents -- $tIllustrations -- $tAcknowledgments -- $tIntroduction -- $tFormation of a Formula -- $tParody and Roles in Green Peony -- $tMetafi ction in Green Peony -- $tPlacing the "Popular" Novel in the Qing -- $tPerformance Genre Texts Grouped by Relationship to Novels -- $tNotes -- $tGlossary -- $tSelected Bibliography -- $tIndex 330 $aMartial arts fiction has been synonymous with popular fiction in China from the Qing dynasty on. This book, the first to trace the early development of the martial arts novel in China, demonstrates that the genre took shape nearly a century earlier than generally recognized. Green Peony (1800), one of the earliest martial arts novels, lies at the center of a web of literary relations connecting many of the significant genres of fiction in its day. Adapted from a drum ballad, Green Peony parodies both previous popular fiction and the great Ming novels, generating humorous reflection on their values. By focusing on popular fiction and popular culture, Margaret B. Wan argues for the relevance of genre to literary criticism, the convergence of "popular" and "elite" fiction in the nineteenth century, and a general turn from didacticism to entertainment. Literary scholars, historians, and anyone who wishes to know more about Chinese popular culture in the Qing dynasty will benefit from reading this book. 410 0$aSUNY series in Chinese philosophy and culture. 606 $aMartial arts fiction, Chinese$xHistory and criticism 606 $aChinese fiction$yQing dynasty, 1644-1912$xHistory and criticism 615 0$aMartial arts fiction, Chinese$xHistory and criticism. 615 0$aChinese fiction$xHistory and criticism. 676 $a895.1/3087 700 $aWan$b Margaret B$01625666 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910825354303321 996 $aGreen peony and the rise of the Chinese martial arts novel$93961286 997 $aUNINA