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100   $a20081024d2009      ub         0
101 0 $aeng
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181   $ctxt
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183   $acr
200 10$aIgnaz Friedman $eromantic master pianist /$fAllan Evans
205   $a1st ed.
210   $aBloomington $cIndiana University Press$dc2009
215   $a1 online resource (416 p.) 
300   $aBibliographic Level Mode of Issuance: Monograph
311   $a0-253-35310-6 
320   $aIncludes discography (p. 337), bibliographical references (p. 377-382) and index.
327   $aMusical traditions that hide in shellac -- From Poland -- "Music begins where technique leaves off" -- 2,800 concerts -- From Old Russia -- Encroaching modernism -- From Beethoven to Hitler -- In safety, down under -- Exile -- Chopin on the Nile -- The piano according to Tiegerman -- The piano according to Friedman.
330   $aAllan Evans's groundbreaking biography of Ignaz Friedman gives the reader the behind and the between of the life and career of this extraordinary pianist. Friedman's repertory emphasized the major works of Beethoven, Schumann, Liszt, and Brahms, but he was perhaps best known for his interpretation of the Chopin mazurkas, which by all accounts he played with the same rhythmic nuance as their composer. Evans examines Friedman's life as a cultured Jewish musician from Poland; his studies in Leipzig and Vienna; his marriage to Manya Schidlowsky -- a Russian countess and relative of Tolstoy; and his performing career, teaching, and retirement in Australia.
606   $aPianists$vBiography
615  0$aPianists
676   $a786.2092
700   $aEvans$b Allan$f1956-$01612142
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996   $aIgnaz Friedman$94073255
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