LEADER 03654nam 2200601 450 001 9910825202203321 005 20210506022436.0 010 $a0-691-65123-X 010 $a1-4008-7698-2 024 7 $a10.1515/9781400876983 035 $a(CKB)3710000000529187 035 $a(EBL)4071116 035 $a(OCoLC)966821308 035 $a(MdBmJHUP)muse49426 035 $a(DE-B1597)468337 035 $a(OCoLC)1013938803 035 $a(OCoLC)957504960 035 $a(DE-B1597)9781400876983 035 $a(Au-PeEL)EBL4071116 035 $a(CaPaEBR)ebr11200211 035 $a(CaONFJC)MIL846536 035 $a(OCoLC)927972428 035 $a(MiAaPQ)EBC4071116 035 $a(EXLCZ)993710000000529187 100 $a20160418h19641964 uy 0 101 0 $aeng 135 $aurnnu---|u||u 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 12$aA chronology of the works of Guillaume Dufay /$fbased on a study of mensural practice, by Charles E. Hamm 210 1$aPrinceton, New Jersey :$cPrinceton University Press,$d1964. 210 4$dİ1964 215 $a1 online resource (213 p.) 225 1 $aPrinceton Legacy Library 300 $a"The Dufay works." p. 165-179. 311 $a0-691-09100-5 311 $a0-691-62467-4 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tPREFACE --$tACKKOWIEDGEMENTS --$tCONTENTS --$tCHAPTER I. EARLIEST WORKS, ca. 1415-1423 --$tCHAPTER 2. 1423-1429 --$tCHAPTER 3. 1426-1431 --$tCHAPTER 4. 1426-1433 --$tCHAPTER 5. 1433-1435 --$tCHAPTER 6. 1433 - 1445 --$tCHAPTER 7. 1433-ca. 1455 --$tCHAPTER 8. 1435-ca. 1460 --$tCHAPTER 9. ca. 1454-1474 --$tSUMMARY, CONCLUSIONS, PROPOSALS --$tAPPENDIX A. THE DUFAY WORKS --$tAPPENDIX B. Manuscript Abbreviations --$tBIBLIOGRAPHY --$tINDEX 330 $aAlthough, according to the author, much sound research, has been done in the Dufay era in recent years," Charles Hamm's book marks the first time an attempt has been made at a comprehensive chronology of the works of this composer. Professor Hamm approaches all Dufay's compositions from the point of view of mensural practice, and has been able to date each piece more precisely than would have been possible in a chronology based on manuscript studies or stylistic analyses. He has divided the works into nine groups, according to details of mensural usage, and on the basis of datable works and other evidence has suggested dates within which the pieces of each group were written. Based on his study of Dufay's mensural practice, the author suggests that the Missa Sancti Antoni and several other works attributed to Dufay may not have been written by him. Originally published in 1964.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. 410 0$aPrinceton legacy library. 606 $aMUSIC / History & Criticism$2bisacsh 615 7$aMUSIC / History & Criticism. 676 $a780.924 700 $aHamm$b Charles$01599195 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910825202203321 996 $aA chronology of the works of Guillaume Dufay$93921770 997 $aUNINA