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135   $aur|n|---|||||
181   $ctxt
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183   $acr
200 14$aThe scar of visibility $emedical performances and contemporary art /$fPetra Kuppers
205   $a1st ed.
210   $aMinneapolis $cUniversity of Minnesota Press$dc2007
215   $a1 online resource (272 p.)
300   $aDescription based upon print version of record.
311   $a0-8166-4653-8 
311   $a0-8166-4652-X 
320   $aIncludes bibliographical references (p. 239-254) and index.
327   $aIntroduction: bodily fantasies -- Visions of anatomy: space, exhibitions, and dense bodies -- Living bodies: staging knowledge, fantasy, and temporality -- The collaborative arts: pain and performance -- Intersections: blood, laughter, and the space-off -- Monsters, cyborgs, animals: crashes, cuttings, and migraines -- Medical museums and art display: the discourses of AIDS -- Reaching out: outsider art, specialists, and positions in between -- Epilogue: fantasies in the sand.
330   $aIn The Scar of Visibility, Petra Kuppers examines the use of medical imagery practices in contemporary art, as well as different arts of everyday life. Among the works she investigates are the controversial Body Worlds exhibition of plastinized corpses, films like David Cronenbergs Crash that fetishize body wounds, representations of the AIDS virus on CSI: Crime Scene Investigations, and the paintings of outsider artist Martin Ram'rez.
606   $aBody art
606   $aPerformance art
606   $aMedicine and art
606   $aArt$xPsychological aspects
615  0$aBody art.
615  0$aPerformance art.
615  0$aMedicine and art.
615  0$aArt$xPsychological aspects.
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996   $aThe scar of visibility$93922302
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