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100   $a19930811d1993      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe hidden cinema $eBritish film censorship in action, 1913-1975 /$fJames C. Robertson
205   $a1st ed.
210   $aLondon ;$aNew York $cRoutledge$d1993
215   $a1 online resource (212 p.)
225 1 $aCinema and society
300   $aIncludes indexes.
311   $a1-138-16238-8 
311   $a0-415-09034-2 
320   $aIncludes bibliographical references and indexes.
327   $aPreliminaries; Contents; General editor's preface; Acknowledgements; Abbreviations; Introduction; 1 The silents 1913 1929; 2 The early talkies 1930 1939; 3 The Second World War and its aftermath 1940 1950; 4 The later talkies 1950 1975; 5 Conclusion; Notes; Select bibliography; General index; Index of film titles
330   $aHow does film censorship work in Britain? Jim Robertson's new paperback edition of The Hidden Cinema argues that censorship has had a far greater influence on British film history than is often apparent, creating the `hidden cinema' of the title. Robertson charts the role of the British Board of Film Censors, established in 1913, and the histories of a variety of noteworthy films including Battleship Potemkin and No Orchids for Miss Blandish and revealing how censorship continues to exert a marked influence on many important films - like the controversial A Clock
410  0$aCinema and society.
606   $aMotion picture industry$zGreat Britain$xHistory$y20th century
606   $aMotion pictures$xCensorship$zGreat Britain$xHistory
615  0$aMotion picture industry$xHistory
615  0$aMotion pictures$xCensorship$xHistory.
676   $a302.23/43/0941
676   $a791.43
700   $aRobertson$b James C$g(James Crighton),$f1930-$01753154
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910825163203321
996   $aThe hidden cinema$94188774
997   $aUNINA