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010   $a9786612054525
010   $a0-7546-9587-5
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100   $a20080630d2009      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aReason and religion in Clarissa $eSamuel Richardson and 'the famous Mr. Norris, of Bemerton' /$fE. Derek Taylor
205   $a1st ed.
210   $aFarnham, England ;$aBurlington, VT $cAshgate Pub.$dc2009
215   $a1 online resource (178 p.)
300   $aDescription based upon print version of record.
311   $a0-7546-6531-3 
320   $aIncludes bibliographical references (p. [155]-166) and index.
327   $aCover; Contents; Acknowledgments; Introduction: The End of Clarissa; 1 Un-Locke-ing Samuel Richardson; 2 Mary Astell, Elizabeth Carter, Clarissa Harlowe, and other "Descendants" of Norris; 3 Out-Norrised; Bibliography; Index
330   $aDeparting from traditional Lockean readings of Clarissa, E. Derek Taylor offers a new interpretation informed by the writings of Locke's first critic, John Norris. Alluded to throughout Richardson's novel, Norris's philosophical and religious ideas provide the rhetorical grounding for Clarissa, while the arguments on behalf of women by early feminists like Mary Astell (an intellectual ally of Norris) supply the combination of progressive feminism and conservative theology that animate the text.
606   $aEpistolary fiction, English$xHistory and criticism
615  0$aEpistolary fiction, English$xHistory and criticism.
676   $a823/.6
700   $aTaylor$b Derek$0459054
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910825136703321
996   $aReason and religion in Clarissa$94089496
997   $aUNINA