LEADER 03419nam 2200577 450 001 9910825118003321 005 20240215043150.0 010 $a90-485-5365-2 024 7 $a10.1515/9789048553655 035 $a(CKB)25444352700041 035 $a(MiAaPQ)EBC30205785 035 $a(Au-PeEL)EBL30205785 035 $a(DE-B1597)638119 035 $a(DE-B1597)9789048553655 035 $a(OCoLC)1350630676 035 $a(EXLCZ)9925444352700041 100 $a20240116d2022 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Aesthetics and Politics of Cinematic Pedestrianism $eWalking in Films /$fAsli O?zgen 205 $aFirst edition. 210 1$aAmsterdam :$cAmsterdam University Press B.V.,$d[2022] 210 4$d©2022 215 $a1 online resource (258 pages) 225 1 $aFilm Culture in Transition Series 320 $aIncludes bibliographical references and index. 327 $tFrontmatter --$tTable of Contents --$tAcknowledgements --$tIntroduction: Cinematic Pedestrianism in the City --$t1. Moving Body, Moving Pictures: The Emergence of Cinematic Pedestrianism --$t2. The Flâneur as Filmmaker --$t3. The Flâneuse and the Aesthetics of the Female Gaze --$t4. A Wandering Eye: The Kino-Pedestrian --$t5. Walking amidst Ruins: A Pedestrian Cinema --$t6. Feminist Nomads: The Politics of Walking in Agnès Varda --$tCinematic Pedestrianism Afoot: A Conclusion --$tBibliography --$tFilmography --$tIndex 330 $aThe Aesthetics and Politics of Cinematic Pedestrianism: Walking in Films offers a rich exploration of the cinematic aesthetics that filmmakers devised to reflect the corporeal and affective experience of walking in the city. Drawing from literature in urban studies, film theory, and aesthetic philosophy, it is the first monograph to approach the history of cinema from the perspective of walking. A series of case studies providing nuanced analyses of widely referenced figures, such as the flaneur/flâneuse, vagabond, and nomad, reveal how filmmakers articulated their objection to repressive structures through depictions of walking: a common, everyday act yet transgressive, bold, and indomitable. Through the lens of Henri Lefebvre?s theory of space, Michel de Certeau?s concept of pedestrian acts, and Jacques Rancière?s treatment of the politics of aesthetics, Walking in Films traces how cinema evolved in conversation with the mobile body and the new images, styles, and techniques that emerged with it. 410 0$aFilm culture in transition. 606 $aCities and towns in motion pictures 606 $aPopular culture$xStudy and teaching 606 $aPERFORMING ARTS / Film & Video / General$2bisacsh 606 $aWalking in motion pictures 606 $aCulture$xStudy and teaching 615 0$aCities and towns in motion pictures. 615 0$aPopular culture$xStudy and teaching. 615 7$aPERFORMING ARTS / Film & Video / General. 615 0$aWalking in motion pictures. 615 0$aCulture$xStudy and teaching. 676 $a791.43621732 700 $aO?zgen$b Asli$01712185 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910825118003321 996 $aThe Aesthetics and Politics of Cinematic Pedestrianism$94104117 997 $aUNINA