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010   $a9786611357665
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100   $a20080519d2008      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aStalinist cinema and the production of history $emuseum of the revolution /$fEvgeny Dobrenko ; translated by Sarah Young
205   $a1st ed.
210   $aNew Haven $cYale University Press$d2008
215   $a1 online resource (273 p.)
300   $aTranslated from the Russian.
311   $a0-7486-3445-2 
320   $aIncludes bibliographical references and index.
327   $aCOVER; COPYRIGHT; Contents; Introduction: History Degree Zero; 1. The Dialectics of the Popular Monarchy; 2. History with Biography; 3. Russian Classics and the Past in its Revolutionary Development; 4. (Autobio/Bio/Hagio)graphy: Peshkov - Gorky - Donskoi; 5. Three Mothers: Pudovkin - Donskoi - Panfilov; 6. Shots from Underground: Dialectics of Conspiratorial Imagination; Index
330   $aThis book explores how Soviet film worked with time, the past, and memory. It looks at Stalinist cinema and its role in the production of history, the conversion of the present and experience into history, mechanisms of transfer, and what is located between history and the past. The representation of history is always the representation of power. The institution of legitimization and the mechanism for the production of identity, history is the past, constructed and served by the authorities who are attempting to curtail the experience by packaging it into a literary narrative and new visual im
517 3 $aMuseum of the revolution
606   $aMotion pictures$zSoviet Union$xHistory
606   $aMotion pictures and history
606   $aMotion pictures in propaganda$zSoviet Union$xHistory
606   $aCommunism and motion pictures$zSoviet Union$xHistory
615  0$aMotion pictures$xHistory.
615  0$aMotion pictures and history.
615  0$aMotion pictures in propaganda$xHistory.
615  0$aCommunism and motion pictures$xHistory.
676   $a791.430947
700   $aDobrenko$b E. A$g(Evgenii Aleksandrovich)$00
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910825093903321
996   $aStalinist cinema and the production of history$94091084
997   $aUNINA