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100   $a20151016h20162016  uy|            0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe early American daguerreotype $ecross-currents in art and technology /$fSarah Kate Gillespie
210  1$aCambridge, Massachusetts :$cMIT Press,$d[2016]
210  4$dİ2016
215   $a1 online resource (227 p.)
225 1 $aLemelson center studies in invention and innovation
300   $aDescription based upon print version of record.
311   $a0-262-03410-7 
320   $aIncludes bibliographical references and index.
327   $aContents; Foreword; Acknowledgments; Introduction; 1 "Rembrandt Perfected"; 2 "All Nature Shall Be Henceforth Its Own Painter"; 3 "We Will Not Bore Our Readers with Any More Chemistry"; 4 "The American Process"; Conclusion; Notes; Bibliography; Index
330   $aThe American daguerreotype as something completely new: a mechanical invention that produced an image, a hybrid of fine art and science and technology.
410  0$aLemelson Center studies in invention and innovation.
606   $aDaguerreotype$zUnited States$xHistory$y19th century
606   $aPhotographers$zUnited States$vBiography
615  0$aDaguerreotype$xHistory
615  0$aPhotographers
676   $a772/.12
700   $aGillespie$b Sarah Kate$01685336
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910825068203321
996   $aThe early American daguerreotype$94057403
997   $aUNINA