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100   $a20200317h20202020  uy             0
101 0 $aeng
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181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aSoundscapes of Uyghur Islam /$fRachel Harris
205   $a1st ed.
210  1$aBloomington, Indiana :$cIndiana University Press,$d[2020]
210  4$d©2020
215   $a1 online resource (xi, 249 pages) $cillustrations
225 0 $aFraming the global
300   $aIncludes bibliographical references and index.
311   $a0-253-05018-9 
320   $aIncludes bibliographical references and index.
327   $aCover -- Title Page -- Copyright -- Dedication -- Contents -- Acknowledgments -- 1. Sound, Place, and Religious Revival -- Interlude 1. Rabiya Acha's Story -- 2. Affective Rituals in a Uyghur Village -- 3. Text and Performance in the Hikmät of Khoja Ahmad Yasawi -- 4. Style and Meaning in the Recited Qur'an Interlude 2 Tutiwalidu (They'll Arrest You) -- 5. Mobile Islam: Mediation and Circulation -- 6. Song and Dance and the Sonic Territorialization of Xinjiang -- 7. Erasure and Trauma -- References -- Index -- About the Author.
330   $a"China's Xinjiang Uyghur Autonomous Region is experiencing a crisis of securitization and mass incarceration. In Soundscapes of Uyghur Islam, author Rachel Harris examines the religious practice of a group of Uyghur women in a small village now engulfed in this chaos. Despite their remote location, these village women are mobile and connected, and their religious soundscapes flow out across transnational networks. Harris explores the spiritual and political geographies they inhabit, moving outward from the village to trace connections with Mecca, Istanbul, Bishkek, and Beijing. Sound, embodiment, and territoriality illuminate both the patterns of religious change among Uyghurs and the policies of cultural erasure used by the Chinese state to reassert its control over the land the Uyghurs occupy. By drawing on contemporary approaches to the circulation of popular music, Harris considers how various forms of Islam that arrive via travel and the Internet come into dialogue with local embodied practices. Synthesized together, these practices create new forms that facilitate powerful, affective experiences of faith"
330   $a1. Sound, Place, and Religious Revival -- Interlude 1: Rabiya Acha's Story: 2. Affective Rituals in a Uyghur Village -- 3. Text and Performance in the Hikma?t of Khoja Ahmad Yasawi -- 4. Style and Meaning in the Recited Qur'an -- Interlude 2: Tutiwalidu (They'll Arrest You): 5. Mobile Islam: Mediation and Circulation -- 6. Song and Dance and the Sonic Territorialization of Xinjiang -- 7. Erasure and Trauma -- References -- Index.
410  0$aFraming the Global Series
606   $aMuslims China$zXinjiang Uygur Zizhiqu$xSocial conditions
606   $aMuslim women$zChina$zXinjiang Uygur Zizhiqu$xSocial conditions
606   $aUighur (Turkic people)$zChina$zXinjiang Uygur Zizhiqu$xSocial life and customs
606   $aUighur (Turkic people)$zChina$zXinjiang Uygur Zizhiqu$xMusic
607   $aXinjiang Uygur Zizhiqu (China)$xEthnic relations
607   $aChina$xEthnic relations
615  0$aMuslims China$xSocial conditions.
615  0$aMuslim women$xSocial conditions.
615  0$aUighur (Turkic people)$xSocial life and customs.
615  0$aUighur (Turkic people)$xMusic.
676   $a297.08209516
700   $aHarris$b Rachel$g(Rachel A.),$01000268
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801  1$bMiFhGG
906   $aBOOK
912   $a9910825061003321
996   $aSoundscapes of Uyghur Islam$94057342
997   $aUNINA