LEADER 03243nam 22008415 450 001 9910785692503321 005 20230810131554.0 010 $a1-282-99392-5 010 $a9786612993923 010 $a0-230-11640-X 024 7 $a10.1057/9780230116405 035 $a(CKB)2670000000070308 035 $a(EBL)652565 035 $a(OCoLC)781315534 035 $a(SSID)ssj0000471542 035 $a(PQKBManifestationID)12164511 035 $a(PQKBTitleCode)TC0000471542 035 $a(PQKBWorkID)10435389 035 $a(PQKB)10771553 035 $a(SSID)ssj0001659651 035 $a(PQKBManifestationID)16439081 035 $a(PQKBTitleCode)TC0001659651 035 $a(PQKBWorkID)14986179 035 $a(PQKB)11266004 035 $a(DE-He213)978-0-230-11640-5 035 $a(MiAaPQ)EBC652565 035 $a(PPN)185127509 035 $a(EXLCZ)992670000000070308 100 $a20151116d2011 u| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe Myth of Indigenous Caribbean Extinction$b[electronic resource] $eContinuity and Reclamation in Borikén (Puerto Rico) /$fby T. Castanha 205 $a1st ed. 2011. 210 1$aNew York :$cPalgrave Macmillan US :$cImprint: Palgrave Macmillan,$d2011. 215 $a1 online resource (201 p.) 300 $aDescription based upon print version of record. 311 $a1-349-38265-5 311 $a0-230-62025-6 320 $aIncludes bibliographical references and index. 327 $aCover; Contents; Acknowledgments; Preface: Still There, Always Have Been; 1 A New Version of History; 2 Mythmaking in the Caribbean; 3 Early Resistance and Survival in Borike?n; 4 Ji?baro Resistance and Continuity; 5 The Modern Ji?baro; 6 Cultural Survival and the Indigenous Movement; 7 Conclusion; Notes; Glossary; Bibliography; Index 330 $aThis book debunks one of the greatest myths ever told in Caribbean history: that the indigenous peoples who encountered a very lost Christopher Columbus are 'extinct.' Through the uncovering of recent ethnographical data, the author reveals extensive narratives of Jíbaro Indian resistance and cultural continuity on the island of Borikén. 606 $aEthnology 606 $aRace 606 $aEthnology$xLatin America 606 $aCulture 606 $aHuman rights 606 $aCulture$xStudy and teaching 606 $aEthnography 606 $aRace and Ethnicity Studies 606 $aLatin American Culture 606 $aHuman Rights 606 $aCultural Studies 615 0$aEthnology. 615 0$aRace. 615 0$aEthnology$xLatin America. 615 0$aCulture. 615 0$aHuman rights. 615 0$aCulture$xStudy and teaching. 615 14$aEthnography. 615 24$aRace and Ethnicity Studies. 615 24$aLatin American Culture. 615 24$aHuman Rights. 615 24$aCultural Studies. 676 $a305.868/7295 676 $a305.8687295 700 $aCastanha$b T$4aut$4http://id.loc.gov/vocabulary/relators/aut$01521709 906 $aBOOK 912 $a9910785692503321 996 $aThe Myth of Indigenous Caribbean Extinction$93761066 997 $aUNINA LEADER 04938nam 2200601 450 001 9910825043603321 005 20200514202323.0 010 $a1-62356-440-9 010 $a1-5013-0011-3 010 $a1-62356-058-6 024 7 $a10.5040/9781501300110 035 $a(CKB)3710000000111822 035 $a(EBL)1688462 035 $a(SSID)ssj0001235489 035 $a(PQKBManifestationID)12442472 035 $a(PQKBTitleCode)TC0001235489 035 $a(PQKBWorkID)11223078 035 $a(PQKB)11297821 035 $a(MiAaPQ)EBC1688462 035 $a(OCoLC)1154915034 035 $a(UtOrBLW)bpp09257807 035 $a(EXLCZ)993710000000111822 100 $a20140728d2014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAdaptation theory and criticism $epostmodern literature and cinema in the USA /$fGordon E. Slethaug 210 1$aNew York :$cBloomsbury,$d2014. 215 $a1 online resource (289 p.) 300 $aDescription based upon print version of record. 311 $a1-322-14548-2 311 $a1-62356-028-4 320 $aIncludes bibliographical references (pages [255]-269) and index. 327 $aIntroduction -- Chapter 1. -- Modernism -- Postmodernism and Origin -- Intertextual Play in Adaptation Theory -- Chapter 2. -- Adaptation, Surplus Value, and Supplementation in Six Degrees of Separation and Short Cuts -- 2.1 Surplus, Supplementation, and Transformation in John Guare's Six Degrees of Separation -- 2.2 E Pluribus Unum: Raymond Carver's Fiction and Robert Altman's Short Cuts -- Chapter 3. -- Intertextual Doubling in The Age of Innocence, Gangs of New York, and The Great Gatsby -- 3.1 Tribalization as Intertextual Symptom: Scorsese's The Age of Innocence and Gangs of New York -- 3.2 Ironized Intertextuality: The Age of Innocence and The Great Gatsby -- Chapter 4. -- Freeplay, Citation, and Ethnocriticism: Single and Multiple Sources in Smoke Signals, Smoke, and Do the Right Thing -- 4.1 Ethnocriticism and Adaptation: Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven and Chris Eyre's Smoke Signals -- 4.2 From Lee to Auster and Wang: Postmodern Indeterminacy and Racial Relations in Do the Right Thing and SMOKE -- Chapter 5. -- Palimpsests and Bricolage: Playful and Serious Citation in Broken Flowers and Snow White's Offspring -- 5.1 Palimpsest, Play, and the Myth of Filiation in Broken Flowers: Clues, Signs, and Referential Mania -- 5.2 Snow White's Offspring: The Hyper-Palimpsest -- Conclusion -- Works Cited -- Index 330 8 $aTraditional critics of film adaptation generally assumed a) that the written text is better than the film adaptation because the plot is more intricate and the language richer when pictorial images do not intrude; b) that films are better when particularly faithful to the original; c) that authors do not make good script writers and should not sully their imagination by writing film scripts; d) and often that American films lack the complexity of authored texts because they are sourced out of Hollywood. The 'faithfulness' view has by and large disappeared, and intertextuality is now a generally received notion, but the field still lacks studies with a postmodern methodology and lens.Exploring Hollywood feature films as well as small studio productions, Adaptation Theory and Criticism explores the intertextuality of a dozen films through a series of case studies introduced through discussions of postmodern methodology and practice. Providing the reader with informative background on theories of film adaptation as well as carefully articulated postmodern methodology and issues, Gordon Slethaug includes several case studies of major Hollywood productions and small studio films, some of which have been discussed before (Age of Innocence, Gangs of New York, and Do the Right Thing) and some that have received lesser consideration (Six Degrees of Separation, Smoke, Smoke Signals, Broken Flowers, and various Snow White narratives including Enchanted, Mirror Mirror, and Snow White and the Huntsman). Useful for both film and literary studies students, Adaptation Theory and Criticism cogently combines the existing scholarship and uses previous theories to engage readers to think about the current state of American literature and film 606 $aFilm adaptations$zUnited States$xHistory and criticism 606 $aIntertextuality 606 $aPostmodernism (Literature)$zUnited States 606 $2Films, cinema 615 0$aFilm adaptations$xHistory and criticism. 615 0$aIntertextuality. 615 0$aPostmodernism (Literature) 676 $a791.43/6 700 $aSlethaug$b Gordon$01618312 801 0$bUtOrBLW 801 1$bUtOrBLW 801 2$bUkLoBP 906 $aBOOK 912 $a9910825043603321 996 $aAdaptation theory and criticism$93949952 997 $aUNINA