LEADER 03356nam 2200553 450 001 9910824843803321 005 20200520144314.0 010 $a1-61147-766-2 010 $a1-61147-765-4 035 $a(CKB)3710000000228312 035 $a(EBL)1776257 035 $a(SSID)ssj0001333773 035 $a(PQKBManifestationID)12456882 035 $a(PQKBTitleCode)TC0001333773 035 $a(PQKBWorkID)11386514 035 $a(PQKB)10505706 035 $a(MiAaPQ)EBC1776257 035 $a(Au-PeEL)EBL1776257 035 $a(CaPaEBR)ebr10924231 035 $a(CaONFJC)MIL643967 035 $a(OCoLC)889812850 035 $a(EXLCZ)993710000000228312 100 $a20140913h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aShakespeare's style /$fMaurice Charney 210 1$aLanham, Maryland ;$aLondon, England :$cFairleigh Dickinson University Press :$cRowman & Littlefield,$d2014. 210 4$dİ2014 215 $a1 online resource (207 p.) 300 $aDescription based upon print version of record. 311 $a1-322-12714-X 311 $a1-61147-764-6 320 $aIncludes bibliographical references and index. 327 $aContents; Acknowledgments; Introduction; 1 Antipholus of Syracuse as Comic Hero in The Comedy of Errors; 2 The Satire on Learning in Love's Labor's Lost; 3 Richard's Physical Deformities in 3 Henry VI and Richard III; 4 The Sardonic Aaron in Titus Andronicus; 5 Who Tames Whom in The Taming of the Shrew?; 6 The Conventions of Romantic Love in The Two Gentlemen of Verona; 7 The Portentous Tragedy of Romeo and Juliet; 8 Audience Response to Richard in Richard II; 9 The Fairy World of A Midsummer Night's Dream; 10 Shylock's Monomaniacal Style in The Merchant of Venice 327 $a11 Commodity and the Bastard in King John12 Falstaff's Hyperbole in the Henry IV Plays; 13 The Banishment of Falstaff in the Henry IV Plays; 14 Shakespeare's Illiterates; 15 The Wit Combat of Beatrice and Benedick in Much Ado About Nothing; 16 The Roman Style of Julius Caesar; 17 Jaques as Satiric Observer in As You Like It; 18 Feste as Corrupter of Words in Twelfth Night; 19 Hamlet as Actor; 20 Sex Nausea in Troilus and Cressida; 21 Parolles the Braggart in All's Well That Ends Well; 22 Iago's and Othello's "Ha's"; 23 Lucio the Calumniator in Measure for Measure; 24 Madness in King Lear 327 $a25 The Macbeths's Insomnia26 Roman Values in Antony and Cleopatra; 27 The Cultivation of Excess in Timon of Athens; 28 Coriolanus's Manliness; 29 The Saintly Marina in Pericles; 30 Imogen; 31 Speech Rhythms in The Winter's Tale; 32 Prospero's "Art" in The Tempest; 33 The Tragedy of Cardinal Wolsey in Henry VIII; 34 The Pretty Madness of the Jailer's Daughter in The Two Noble Kinsmen; Conclusion; Index; About the Author 330 $aThis book presents a detailed consideration of aspects of Shakespeare's writing style in his plays. Each chapter offers a detailed discussion about a single feature of style in a chosen Shakespeare play. 676 $a822.3/3 700 $aCharney$b Maurice$0440412 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910824843803321 996 $aShakespeare's style$93923975 997 $aUNINA