LEADER 03157nam 2200553 450 001 9910824749703321 005 20230725040010.0 010 $a1-77558-691-X 010 $a1-86940-601-X 010 $a1-77558-238-8 035 $a(CKB)2670000000491995 035 $a(EBL)1411819 035 $a(SSID)ssj0001061862 035 $a(PQKBManifestationID)11585316 035 $a(PQKBTitleCode)TC0001061862 035 $a(PQKBWorkID)11110492 035 $a(PQKB)10418179 035 $a(MiAaPQ)EBC1557307 035 $a(Au-PeEL)EBL1557307 035 $a(CaPaEBR)ebr10843070 035 $a(CaONFJC)MIL861916 035 $a(OCoLC)863823818 035 $a(EXLCZ)992670000000491995 100 $a20100929h20102010 uy| p 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aWalls to kick and hills to sing from $ea comedy with interruptions /$fMurray Edmond 210 1$aAuckland, N.Z. :$cAuckland University Press,$d2010. 210 4$dİ2010 215 $a1 online resource (107 p.) 300 $aDescription based upon print version of record. 311 $a1-86940-458-0 327 $aCover; Title Page; Epigraph; Table of Contents; 1 : Exposition; Setting the seal on NZ poetry; Nice hollow you've got; The passing of the forest; A social and poetic chorus; A ballad dreaming of home ...; Tender validation; The goat in Auckland; Ecstasy: a short film; 2 : Complication; Suburban nature morte; Album of the hour; A translation of one of the sonnets of the importunate; This one that one; Miniature; 3 : Revelation; Leaping Malinowski; The animals of the bed; Folk song; Galah; Rhapsody in pink; Old Good Friday; Whose say-so says so?; Never enough; That afternoon; 4 : Peripety 327 $aThe first of the firstLast caravanserai; A name; The ballad of incommensurate space; You all do know this mantle; Of the nature of nature; 5 : Catastrophe; Small interior; Man alone; The Borgesian instance; How the rats of knowledge stayed on board to see the show; 18/4/1986 - 18/4/2006; 6 : De?nouement; Four little new year songs; Narrow roads to the east; Global whispers: a chorus; The Gates of Paradise; Notes; Copyright 330 $aWalls to Kick and Hills to Sing From: A Comedy with Interruptions is a new poetry collection from Murray Edmond. Arranged in six acts, ?Exposition', ?Complication', ?Revelation', ?Peripety', ?Catastrophe' and ?Denouement', it merrily experiments with voice and performance, including, in various forms, monologues, dialogues, choruses, songs, scene sets and storyboards. Edmond writes that ?there isn't a poem which couldn't have been otherwise / than it is', and in his poems form is aptly married to content. Language plays a starring role ? ?lobal glooming', ?mobile grooming', ?focal warping 606 $aNew Zealand poetry 615 0$aNew Zealand poetry. 676 $aNZ821.2 700 $aEdmond$b Murray$f1949-$01113740 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910824749703321 996 $aWalls to kick and hills to sing from$93996633 997 $aUNINA