LEADER 02452nam 2200625 450 001 9910824703403321 005 20230803200024.0 010 $a1-4438-7020-X 035 $a(CKB)2670000000578041 035 $a(EBL)1869457 035 $a(SSID)ssj0001431800 035 $a(PQKBManifestationID)11791780 035 $a(PQKBTitleCode)TC0001431800 035 $a(PQKBWorkID)11404881 035 $a(PQKB)10127588 035 $a(Au-PeEL)EBL1869457 035 $a(CaPaEBR)ebr10990848 035 $a(CaONFJC)MIL664836 035 $a(OCoLC)897070709 035 $a(MiAaPQ)EBC1869457 035 $a(EXLCZ)992670000000578041 100 $a20141219h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aAcross the great divide $emodernism's intermedialities, from futurism to fluxus /$fedited by Christopher Townsend, Alex Trott and Rhys Davies 210 1$aNewcastle upon Tyne, England :$cCambridge Scholars Publishing,$d2014. 210 4$dİ2014 215 $a1 online resource (225 p.) 300 $aIncludes index. 311 $a1-4438-5478-6 311 $a1-322-33554-0 327 $aCONTENTS; LIST OF IMAGES; INTRODUCTION; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; CHAPTER EIGHT; CHAPTER NINE; INDEX 330 $aThere's nothing pure about modernism. For all the later critical emphasis upon 'medium specificity', modernist artists in their own times revel in the exchange of motifs and tropes from one kind of art to another; they revel in staging events where different media play crucial roles alongside each other, where different media interfere with each other, to spark new and surprising experiences for their audiences. This intermediality and multi-media activity is the subject of this important col... 606 $aModernism (Art) 606 $aArt, Modern$y19th century 606 $aArt, Modern$y20th century 606 $aArt, Modern$y21st century 615 0$aModernism (Art) 615 0$aArt, Modern 615 0$aArt, Modern 615 0$aArt, Modern 676 $a700.4112 702 $aTownsend$b Christopher 702 $aTrott$b Alex 702 $aDavies$b Rhys 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910824703403321 996 $aAcross the great divide$93958132 997 $aUNINA