LEADER 02295nam 2200397 450 001 9910824640903321 005 20191219085646.0 010 $a1-119-55479-9 010 $a1-119-55473-X 035 $a(CKB)4940000000149081 035 $a(MiAaPQ)EBC5986242 035 $a(EXLCZ)994940000000149081 100 $a20191219d2020 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 02$aA companion to the biopic /$fedited by Deborah Jayne Cartmell, Ashley Dawn Polasek 210 1$aHoboken, NJ :$cJohn Wiley & Sons, Inc.,$d2020. 215 $a1 online resource (467 pages) 311 $a1-119-55481-0 330 $a"Despite being undoubtedly the most hated of all film genres, the biopic has endured since the very beginning of cinema. A review of the biopic of Alan Turing, The Imitation Game (dir. Morten Tyldum 2014), sums up the general contempt for the genre itself: "sometimes it feels like a line is being crossed. I really wasn't sure which side I was on with the Turing movie-certainly knowing how much was wrong with it was damaging to my enjoyment of it, but did that make it bad art? In the end I think it did because it was all just so unnecessary and generic, and so persistent...Good acting, direction, sets etc....though" ("Two NYRB Essays"). Biopics are routinely dismissed as bad art, shallow, formulaic, inauthentic and disrespectful of history. Among the biopic's many decriers are film critics, literary scholars, historians, politicians, journalists and anyone wedded to the notion that portraits of individuals should be "true" to life. But as the reviewer of The Imitation Game begrudgingly admits, these films are often very watchable, essentially due to the performance of the lead actor"--$cProvided by publisher. 606 $aBiographical films$xHistory and criticism 615 0$aBiographical films$xHistory and criticism. 676 $a791.43651 700 $aCartmell$b Deborah$0594107 702 $aCartmell$b Deborah 702 $aPolasek$b Ashley Dawn$f1985- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910824640903321 996 $aA companion to the biopic$94035202 997 $aUNINA LEADER 01290nam0 22003371i 450 001 UON00098099 005 20231205102541.540 010 $a32-01-01716-7 100 $a20020107d1999 |0itac50 ba 101 $ager 102 $aAT 105 $a|||| ||||| 200 1 $aGriechisch-romische Antike$fOtto Mazal 210 $aGraz$cAkademische Druck- U. Verlagsanstalt$d1999 215 $a415 p.$d23 cm 410 1$1001UON00102930$12001 $aGeschichte der Buchkultur$v1 606 $aBIBLIOLOGIA$3UONC030529$2FI 606 $aBIBLIOTECHE$xStoria$3UONC030528$2FI 606 $aCiviltą classica$3UONC026541$2FI 606 $aLIBRI$xAntichita'$3UONC030530$2FI 606 $aPALEOGRAFIA$3UONC025694$2FI 620 $aAT$dGraz$3UONL000287 676 $a809$cStoria, descrizione, studio critico di pił di due letterature$v21 700 1$aMAZAL$bOtto$3UONV065961$0158679 712 $aAkademische Druck$3UONV247017$4650 801 $aIT$bSOL$c20250613$gRICA 899 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$2UONSI 912 $aUON00098099 950 $aSIBA - SISTEMA BIBLIOTECARIO DI ATENEO$dSI W 074 $eSI MC 24024 5 996 $aGriechisch-romische Antike$9978177 997 $aUNIOR