LEADER 02769nam 2200565 450 001 9910824578803321 005 20230802003054.0 010 $a3-99043-500-0 024 7 $a10.1515/9783990435007 035 $a(CKB)3360000000516204 035 $a(MiAaPQ)EBC5049004 035 $a(DE-B1597)445362 035 $a(OCoLC)1049682535 035 $a(OCoLC)1054881087 035 $a(OCoLC)979635189 035 $a(DE-B1597)9783990435007 035 $a(Au-PeEL)EBL5049004 035 $a(CaPaEBR)ebr11605314 035 $a(OCoLC)1051138520 035 $a(EXLCZ)993360000000516204 100 $a20180920d2012 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aRemix theory $ethe aesthetics of sampling /$fEduardo Navas 210 1$aWien ;$aNew York :$cSpringer,$d[2012] 210 4$dİ2012 215 $a1 online resource (192 pages) 300 $aIncludes index. 311 $a3-99043-499-3 327 $t Frontmatter -- $tContents -- $tAcknowledgments -- $tPreface -- $tIntroduction: Remix and Noise -- $tChapter One: Remix[ing] Sampling -- $tChapter Two: Remix[ing] Music -- $tChapter Three: Remix[ing] Theory -- $tChapter Four: Remix[ing] Art -- $tConclusion: Noise and Remix -- $tIndex 330 $aRemix Theory: The Aesthetics of Sampling is an analysis of Remix in art, music, and new media. Navas argues that Remix, as a form of discourse, affects culture in ways that go beyond the basic recombination of material. His investigation locates the roots of Remix in early forms of mechanical reproduction, in seven stages, beginning in the nineteenth century with the development of the photo camera and the phonograph, leading to contemporary remix culture. This book places particular emphasis on the rise of Remix in music during the 1970s and '80s in relation to art and media at the beginning of the twenty-first Century. Navas argues that Remix is a type of binder, a cultural glue-a virus-that informs and supports contemporary culture. 330 $aSampling and remixing are now common in art, music and new media. Assessing their aesthetic qualities by focusing on technical advances in 1970s and 80s music, and later in art and media, the author argues that 'Remix' punches above its deemed cultural weight. 606 $aMusic 606 $aAppropriation (Art) 606 $aSampling (Sound) 615 0$aMusic. 615 0$aAppropriation (Art) 615 0$aSampling (Sound) 676 $a780 700 $aNavas$b Eduardo$01644671 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910824578803321 996 $aRemix theory$93990659 997 $aUNINA