LEADER 04841oam 2200841I 450 001 9910824577103321 005 20240516212414.0 010 $a1-136-96897-0 010 $a1-283-51964-X 010 $a9786613832092 010 $a0-203-85137-4 010 $a1-136-96898-9 024 7 $a10.4324/9780203851371 035 $a(CKB)2670000000230827 035 $a(EBL)987843 035 $a(OCoLC)804661575 035 $a(SSID)ssj0000741769 035 $a(PQKBManifestationID)11409344 035 $a(PQKBTitleCode)TC0000741769 035 $a(PQKBWorkID)10737806 035 $a(PQKB)11148298 035 $a(SSID)ssj0000745575 035 $a(PQKBManifestationID)12299088 035 $a(PQKBTitleCode)TC0000745575 035 $a(PQKBWorkID)10859444 035 $a(PQKB)21551037 035 $a(OCoLC)811384602 035 $a(MiAaPQ)EBC987843 035 $a(Au-PeEL)EBL987843 035 $a(CaPaEBR)ebr10589059 035 $a(CaONFJC)MIL383209 035 $a(EXLCZ)992670000000230827 100 $a20180706d2010 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aRelocating television $etelevision in the digital context /$fedited by Jostein Gripsrud 205 $a1st ed. 210 1$aLondon ;$aNew York :$cRoutledge,$d2010. 215 $a1 online resource (298 p.) 225 0 $aComedia 300 $aOriginally presented as papers at a symposium organized by the DigiCult research group in Paris in collaboration with the Institut Francais de Presse at the Universite de Paris II in October, 2008. 311 $a0-415-56453-0 311 $a0-415-56452-2 320 $aIncludes bibliographical references and index. 327 $aRelocating Television; Copyright Page; Contents; List of tables and figures; Notes on contributors; Preface; Part I The medium of television: changes and continuities; 1 Television in the digital public sphere; 2 TV as time machine: television's changing heterochronic regimesand the production of history; 3 'Critical social optics' and the transformations of audio-visualculture; 4 MSN, interface; PART II Changing genres; 5 Bingeing on box-sets: the national and the digital in televisioncrime drama; 6 Forward to the past: the strange case of The Wire; 7 The 'Bollywoodization' of Indian TV news 327 $a8 Amateur images in the professional news stream9 A new space for democracy? Online media, factual genres andthe transformation of traditional mass media; 10 Lifestyle as factual entertainment; PART III Reception: figures, experience, significance; 11 Television use in new media environments; 12 The grey area. A rough guide: television fans, internet forums,and the cultural public sphere; 13 X Factor viewers: debate on an internet forum; 14 The digitally enhanced audience: new attitudes tofactual footage; 15 Digital media, television and the discourse of smears; PART IV Critical perspectives 327 $a16 The cost of citizenship in the digital age: on being informed and the commodification of the public sphere17 Networking the commons: convergence culture and the public interest; 18 Smart homes: digital lifestyles practiced and imagined; 19 Television as a means of transport: digital teletechnologies and transmodal systems; Index 330 $aFor over half a century, television has been the most central medium in Western democracies - the political, social and cultural centrepiece of the public sphere. Television has therefore rarely been studied in isolation from its socio-cultural and political context; there is always something important at stake when the forms and functions of television are on the agenda. The digitisation of television concerns the production, contents, distribution and reception of the medium, but also its position in the overall, largely digitised media system and public sphere where the internet plays a 410 0$aComedia 606 $aTelevision broadcasting$xTechnological innovations$vCongresses 606 $aDigital television$vCongresses 606 $aDigital media$vCongresses 606 $aTelevision programs$xSocial aspects$vCongresses 606 $aTelevision broadcasting$xSocial aspects$vCongresses 606 $aTelevision and politics$vCongresses 615 0$aTelevision broadcasting$xTechnological innovations 615 0$aDigital television 615 0$aDigital media 615 0$aTelevision programs$xSocial aspects 615 0$aTelevision broadcasting$xSocial aspects 615 0$aTelevision and politics 676 $a302.234 676 $a791.45 701 $aGripsrud$b Jostein$f1952-$01317197 801 0$bFlBoTFG 801 1$bFlBoTFG 906 $aBOOK 912 $a9910824577103321 996 $aRelocating television$93990644 997 $aUNINA