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010   $a9786613394194
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101 0 $aeng
135   $aur|||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 14$aThe business of the novel $eeconomics, aesthetics and the case of Middlemarch /$fby Simon R. Frost$b[electronic resource]
205   $a1st ed.
210  1$aLondon :$cPickering & Chatto,$d2012.
215   $a1 online resource (xi, 239 pages) $cdigital, PDF file(s)
225 1 $aLiterary texts and the popular marketplace ;$vno. 1
300   $aTitle from publisher's bibliographic system (viewed on 02 Oct 2015).
311   $a1-78144-274-6 
311   $a1-84893-194-8 
320   $aIncludes bibliographical references and index.
327   $aSupply -- Demand -- Commodity reading -- Business besides aesthetics -- Conclusion.
330   $aThis study shows how aesthetics and economics have been combined in a great work of literature. Widely acknowledged as one of the great English novels,<i> Middlemarch</i> was published at a time which saw the emergence of a commodity-based culture. Frost examines the history of <i>Middlemarch</i>'s composition and publication within the context of Victorian demand, then goes on to consider the interpretation, reception and consumption of the book. Reader experience and rival publications are explored alongside a 'commodity reading' of the novel. The study will be of value to scholars of book history, economics and material culture.
410  0$aLiterary texts and the popular marketplace ;$vno. 1.
606   $aEconomics and literature$zGreat Britain$xHistory$y19th century
606   $aLiterature publishing$zGreat Britain$xHistory$y19th century
606   $aAuthors and readers$zGreat Britain$xHistory$y19th century
615  0$aEconomics and literature$xHistory
615  0$aLiterature publishing$xHistory
615  0$aAuthors and readers$xHistory
676   $a823.809355
700   $aFrost$b Simon R.$01599310
801  0$bUkCbUP
801  1$bUkCbUP
906   $aBOOK
912   $a9910824509203321
996   $aThe business of the novel$93921928
997   $aUNINA