LEADER 08744nam 2201057 a 450 001 9910824494103321 005 20230914221443.0 010 $a1-283-27968-1 010 $a9786613279682 010 $a0-520-94811-4 024 7 $a10.1525/9780520948112 035 $a(CKB)2670000000113434 035 $a(EBL)763984 035 $a(OCoLC)748241950 035 $a(SSID)ssj0000541600 035 $a(PQKBManifestationID)11324685 035 $a(PQKBTitleCode)TC0000541600 035 $a(PQKBWorkID)10509000 035 $a(PQKB)10592852 035 $a(DE-B1597)519167 035 $a(OCoLC)1114853382 035 $a(DE-B1597)9780520948112 035 $a(Au-PeEL)EBL763984 035 $a(CaPaEBR)ebr10496858 035 $a(CaONFJC)MIL327968 035 $a(MiAaPQ)EBC763984 035 $a(EXLCZ)992670000000113434 100 $a19940705d1994 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aCollected poems $ea bilingual edition /$fSte?phane Mallarme? ; translated, and with a commentary by Henry Weinfield 210 $aBerkeley $cUniversity of California Press$dc1994 215 $a1 online resource (304 pages) 300 $aFirst paperback printing 1996. 311 0 $a0-520-26814-8 320 $aIncludes bibliographical references. 327 $tCollected Poems of Mallarme --$tFront matter --$tCONTENTS --$tINTRODUCTION --$tPOÉSIES --$tSALUTATION / SALUT --$tFIRST POEMS / PREMIERS POÉMES --$tTHE JINX / LE GUIGNON --$tAPPARITION / APPARITION --$tFUTILE PETITION / PLACET FUTILE --$tTHE CLOWN CHASTISED / LE PITRE CHÂTIÉ --$tFROM THE SATIRICAL PARNASSUS / DU PARNASSE SATYRIQUE --$tA NEGRESS / UNE NÉGRESSE --$tFROM THE CONTEMPORARY PARNASSUS / DU PARNASSE CONTEMPORAIN --$tTHE WINDOWS / LES FENÊTRES --$tTHE FLOWERS / LES FLEURS --$tRENEWAL / RENOUVEAU --$tANGUISH / ANGOISSE --$tWEARY OF BITTER SLEEP / LAS DE L' AMER REPOS --$tTHE BELL-RINGER / LE SONNEUR --$tSUMMER SADNESS / TRISTESSE D'ÉTÉ --$tTHE AZURE / L'AZUR --$tSEA BREEZE / BRISE MARINE --$tSIGH / SOUPIR --$tALMS / AUMÔNE --$tGIFT OF THE POEM / DON DU POËME --$tOTHER POEMS / AUTRES POËMES --$tHÉRODIADE --$tTHE AFTERNOON OF A FAUN / L' APRÈS-MIDI D'UN FAUNE --$tTHE FLIGHT OF FLAMING HAIR / LA CHEVELURE --$tSAINT / SAINTE --$tFUNEREAL TOAST (TO THÉOPHILE GAUTIER) / TOAST FUNÈBRE (À THÉOPHILE GAUTIER) --$tPROSE (FOR DES ESSEINTES) / PROSE (POUR DES ESSEINTES) --$tA FAN (OF MADAME MALLARMÉ) / ÉVENTAIL (DE MADAME MALLARMÉ) --$tANOTHER FAN (OF MADEMOISELLE MALLARMÉ) / AUTRE ÉVENTAIL (DE MADEMOISELLE MALLARMÉ) --$tA FAN / ÉVENTAIL --$tALBUM LEAVES / FEUILLETS D'ALBUM --$tALBUM LEAF / FEUILLET D'ALBUM --$tREMEMBRANCE OF BELGIAN FRIENDS / REMÉMORATION D'AMIS BELGES --$tSONNET (Lady who burns) / SONNET (Dame sans trop d'ardeur) --$tSONNET (So dear from far) / SONNET (O si chère de loin) --$tRONDELS --$tSTREET SONGS/CHANSONS BAS --$tI. THE SHOEMAKER / LE SAVETIER --$tII. THE WOMAN SELLING AROMATIC HERBS / LA MARCHANDE D'HERBES AROMATIQUES --$tIII. THE ROADMENDER / LE CANTONNIER --$tIV .THE SELLER OF GARLIC AND ONIONS / LE MARCHAND D'AIL ET D'OIGNONS --$tV. THE WORKMAN'S WIFE / LA FEMME DE L'OUVRIER --$tVI. THE GLAZIER / LE VITRIER --$tVII. THE NEWSPAPER VENDOR / LE CRIEUR D'IMPRIMÉS --$tVIII. THE OLD-CLOTHES WOMAN / LA MARCHANDE D'HABITS --$tNOTE TO WHISTLER / BILLET À WHISTLER --$tLITTLE AIR I / PETIT AIR I --$tLITTLE AIR II / PETIT AIR II --$tLITTLE AIR (MARTIAL) / PETIT AIR (GUERRIER) --$tSEVERAL SONNETS / PLUSIEURS SONNETS --$tI. When the shadow menaced with its fatal law / Quand l'ombre menaça de la fatale loi --$tII. The virginal, vibrant, and beautiful dawn / Le vierge, Ie vivace et le bel aujourd'hui --$tIII. The beautiful suicide victoriously fled / Victorieusement lui le suicide beau --$tIV. Her pure nails on high displaying their onyx / Ses purs ongles très haut dédiant leur onyx --$tHOMAGES AND TOMBS I HOMMAGES ET TOMBEAUX --$tSONNET ("In the forgotten woods") / SONNET («Sur les bois oubliés») --$tTHE TOMB OF EDGAR POE / LE TOMBEAU D'EDGAR POE --$tTHE TOMB OF CHARLES BAUDELAIRE / LE TOMBEAU DE CHARLES BAUDELAIRE --$tTOMB (OF VERLAINE) / TOM BEAU (DE VERLAINE) --$tHOMAGE (TO RICHARD WAGNER) / HOMMAGE (À RICHARD WAGNER) --$tHOMAGE (TO PUVIS DE CHAVANNES) / HOMMAGE (À PUVIS DE CHAVANNES) --$tFor the sake of voyaging-heedlessly / Au seul souci de voyager --$tThe entire soul evoked / Toute l'âme résumée --$tOTHER POEMS AND SONNETS / AUTRES POËMES ETSONNETS --$tI. Does Pride at evening always fume / Tout Orgueil fume-t-il du soir --$tII. Sprung from the croup and the flight / Surgi de la croupe et du bonde --$tIII. Lace sweeps itself aside / Une dentelle s'abolit --$tWhat silk steeped in the balms of time / Quelle soie aux baumes de temps --$tTo insert myself in your story / M'introduire dans ton histoire --$tHushed to the crushing cloud / A la nue accablante tu --$tMy old books closed upon Paphos's name / Mes bouquins refermés sur le nom de Paphos --$tPOËMES EN PROSE --$tA PHENOMENON OF THE FUTURE / LE PHÉNOMÈNE FUTUR --$tAUTUMN LAMENT / PLAINTE D'AUTOMNE --$tWINTER SHIVER / FRISSON D'HIVER --$tTHE DEMON OF ANALOGY / LE DÉMON DE L'ANALOGIE --$tPOOR PALE CHILD / PAUVRE ENFANT PÂLE --$tTHE PIPE / LA PIPE --$tAN INTERRUPTED PERFORMANCE / UN SPECTACLE INTERROMPU --$tREMINISCENCE / RÉMINISCENCE --$tTHE DECLARATION AT A FAIR / LA DÉCLARATION FORAINE --$tTHE WHITE WATER LILY / LE NÉNUPHAR BLANC --$tTHE ECCLESIASTIC / L' ECCLÉSIASTIQUE --$tGLORY / LA GLOIRE --$tUN COUP DE DÉS --$tPREFACE / PRÉFACE --$tA THROW OF THE DICE / UN COUP DE DÉS --$tCOMMENTARY --$tPOÉSIES --$tPOËMES EN PROSE --$tUN COUP DE DËS --$tBIBLIOGRAPHY 330 $aStéphane Mallarmé (1842-1898) is one of the giants of nineteenth-century French poetry. Leader of the Symbolist movement, he exerted a powerful influence on modern literature and thought, which can be traced in the works of Paul Valéry, W.B. Yeats, and Jacques Derrida. From his early twenties until the time of his death, Mallarmé produced poems of astonishing originality and beauty, many of which have become classics. In the Collected Poems, Henry Weinfield brings the oeuvre of this European master to life for an English-speaking audience, essentially for the first time. All the poems that the author chose to retain are here, superbly rendered by Weinfield in a translation that comes remarkably close to Mallarmé's own voice. Weinfield conveys not simply the meaning but the spirit and music of the French originals, which appear en face. Whether writing in verse or prose, or inventing an altogether new genre-as he did in the amazing "Coup de Dés"-Mallarmé was a poet of both supreme artistry and great difficulty. To illuminate Mallarmé's poetry for twentieth-century readers, Weinfield provides an extensive commentary that is itself an important work of criticism. He sets each poem in the context of the work as a whole and defines the poems' major symbols. Also included are an introduction and a bibliography. Publication of this collection is a major literary event in the English-speaking world: here at last is the work of a major figure, masterfully translated. 606 $aPOETRY / General$2bisacsh 610 $aa negress. 610 $aaesthetics. 610 $aalms. 610 $aanguish. 610 $aapparition. 610 $abilingual. 610 $acanon. 610 $aclassics. 610 $acoup de des. 610 $afiction. 610 $afrench literature. 610 $afrench poetry. 610 $afrench poets. 610 $afutile petition. 610 $agift of the poem. 610 $ala pleiade. 610 $aliterature. 610 $amodern literature. 610 $amodernism. 610 $apoetry collection. 610 $apoetry. 610 $arenewal. 610 $asalut. 610 $asalutation. 610 $asea breeze. 610 $asigh. 610 $asummer sadness. 610 $asurrealism. 610 $asymbolism. 610 $athe azure. 610 $athe bell ringer. 610 $athe clown chastised. 610 $athe contemporary parnassus. 610 $athe flowers. 610 $athe jinx. 610 $athe satirical parnassus. 610 $athe windows. 610 $aweary of bitter sleep. 615 7$aPOETRY / General. 676 $a841/.8 700 $aMallarme?$b Ste?phane$f1842-1898.$0390123 701 $aWeinfield$b Henry$01625240 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910824494103321 996 $aCollected poems$94045517 997 $aUNINA