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100   $a20070924d2008      ub         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aVocal tracks $eperformance and sound media /$fJacob Smith
205   $a1st ed.
210   $aBerkeley $cUniversity of California Press$dc2008
215   $a1 online resource (304 p.)
300   $a"An Ahmanson book in the humanities"--P. [4] of cover.
311   $a0-520-25494-5 
311   $a0-520-25493-7 
320   $aIncludes bibliographical references (p. 271-286) and index.
327   $tFrontmatter -- $tContents -- $tAcknowledgments -- $tIntroduction -- $tPart One. Flooding Out -- $tPart Two. A Finer Grain of the Voice -- $tPart Three. Bugging the Backstage -- $tConclusion -- $tNotes -- $tBibliography -- $tIndex
330   $aThis entertaining and innovative book focuses on vocal performance styles that developed in tandem with the sound technologies of the phonograph, radio, and sound film. Writing in a clear and lively style, Jacob Smith looks at these media technologies and industries through the lens of performance, bringing to light a fascinating nexus of performer, technology, and audience. Combining theories of film sound, cultural histories of sound technologies and industries, and theories of performance, Smith convincingly connects disparate and largely neglected performance niches to explore the development of a modern vocal performance. Vocal Tracks: Performance and Sound Media demonstrates the voice to be a vehicle of performance, identity, and culture and illustrates both the interconnection of all these categories and their relation to the media technologies of the past century.
606   $aVoice culture
606   $aVoice
615  0$aVoice culture.
615  0$aVoice.
676   $a808.5
700   $aSmith$b Jacob$f1970-$01007260
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906   $aBOOK
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996   $aVocal tracks$92320189
997   $aUNINA