LEADER 02191nam 2200493 450 001 9910824445403321 005 20200520144314.0 010 $a1-4422-3064-9 035 $a(CKB)3710000000114206 035 $a(EBL)1691891 035 $a(SSID)ssj0001194020 035 $a(PQKBManifestationID)12457538 035 $a(PQKBTitleCode)TC0001194020 035 $a(PQKBWorkID)11148499 035 $a(PQKB)10284621 035 $a(MiAaPQ)EBC1691891 035 $a(Au-PeEL)EBL1691891 035 $a(CaPaEBR)ebr10876705 035 $a(CaONFJC)MIL611480 035 $a(OCoLC)880579517 035 $a(EXLCZ)993710000000114206 100 $a20140610h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFrom Bach's Goldberg to Beethoven's Diabelli $einfluence and independence /$fAlfred Kanwischer 210 1$aLanham, Maryland :$cRowman & Littlefield,$d2014. 210 4$dİ2014 215 $a1 online resource (239 p.) 311 $a1-4422-3063-0 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- Comparison : similarities -- Comparison : dissimilarities -- Analysis : Diabelli waltz, variations 1-10 -- Variations 11-20 -- Variations 21-28 -- Variations 29-32 -- Variation 33 and coda. 330 $aIn From Bach's Goldberg to Beethoven's Diabelli: Influence and Independence, music scholar and noted pianist Alfred Kanwischer takes readers on an extended exploration in which each of the thirty-three pieces making up Beethoven's Diabelli Variations (Op. 120) is caringly examined and assessed for its ingredients, actions, personality, and influence on the whole. Counterpoint abounds, not only in the fugal variations, which are closely parsed, but throughout the Diabelli, revealing the noticeably baroque character of the technical compositional devices Beethoven employs. 676 $a786.2/1825 700 $aKanwischer$b Alfred$01671982 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910824445403321 996 $aFrom Bach's Goldberg to Beethoven's Diabelli$94039834 997 $aUNINA