LEADER 03572nam 22006493 450 001 9910824438503321 005 20210108065842.0 010 $a1-283-13325-3 010 $a9786613133250 010 $a0-7486-4608-6 024 7 $a10.1515/9780748646081 035 $a(CKB)2550000000036991 035 $a(EBL)714134 035 $a(OCoLC)730151827 035 $a(SSID)ssj0000525319 035 $a(PQKBManifestationID)11327044 035 $a(PQKBTitleCode)TC0000525319 035 $a(PQKBWorkID)10488981 035 $a(PQKB)10336885 035 $a(MiAaPQ)EBC714134 035 $a(DE-B1597)615853 035 $a(DE-B1597)9780748646081 035 $a(EXLCZ)992550000000036991 100 $a20130418d2011|||| u|| | 101 0 $aeng 135 $aurcn#---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aResearch methods in theatre and performance /$fBaz Kershaw and Helen Nicholson 210 1$aEdinburgh :$cEdinburgh University Press,$d2011 215 $a1 recurso en li?nea (257 páginas) 225 $aResearch Methods for the Arts and Humanities 311 $a0-7486-4157-2 327 $aCover; Copyright; Contents; Acknowledgements; List of Figures; Introduction: Doing Methods Creatively; chapter 1 The Imperative of the Archive: Creative Archive Research; chapter 2 Researching Digital Performance: Virtual Practices; chapter 3 Practice as Research: Transdisciplinary Innovation in Action; chapter 4 Researching Theatre History and Historiography; chapter 5 Researching Scenography; chapter 6 Performer Training: Researching Practice in the Theatre Laboratory; chapter 7 The Question of Documentation: Creative Strategies in Performance Research; chapter 8 The Usefulness of Mess: Artistry, Improvisation and Decomposition in the Practice of Research in Applied Theatrechapter 9 Researching the Body in/as Performance; Notes on Contributors; Index. 330 $aKey Features Created in association with TaPRA, the leading UK Theatre and Performance Research organisation, with chapters produced by specialist groupings.Provides many detailed project case studies and examples - including successful practice-based PhDs - plus analysis of dynamic couplings between methods, methodologies and skill-sets.Introduction interrogates crucial qualities of performing arts research that constitute theatre and performance as, variously, single-, multi-, inter-, and trans-disciplinary.Contributors include: Maggie B. Gale (Chair of Drama, University of Manchester); Steve Dixon (Professor of Digital Performance, Brunel University); Joanne 'Bob' Whalley and Lee Miller (University Lecturers and founders Fictional Dogshelf Theatre Company); Simon Ellis and Rosemary Lee (independent performance/dance makers); Roberta Mock (Professor of Performance, University of Plymouth). 606 $aArtes escénicas$2LOCAL 606 $aTeatro$2LOCAL 606 $aMetodología$2LOCAL 606 $aInvestigación$2LOCAL 606 $aLibros electrónicos$2LOCAL 615 17$aArtes escénicas 615 17$aTeatro 615 27$aMetodología 615 27$aInvestigación 615 27$aLibros electrónicos 676 $a792.072 700 $aKershaw$b Baz, $4aut$4http://id.loc.gov/vocabulary/relators/aut$0224240 702 $aKershaw$b Baz 702 $aNicholson$b Helen 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910824438503321 996 $aResearch methods in theatre and performance$93939736 997 $aUNINA