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010   $a9786610925582
010   $a0-88920-747-X
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100   $a20011213d2002      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aFiguring redemption $eresighting my self in the art of Michael Snow /$fTila L. Kellman
205   $a1st ed.
210   $aWaterloo, Ont. $cWilfrid Laurier University Press$dc2002
215   $a1 online resource (222 p.)
300   $aIncludes index.
311   $a1-55458-249-0 
311   $a0-88920-399-7 
320   $aIncludes bibliographical references: p. 191-195.
327   $aFiguring Redemption: A Theoretical Frame -- The WALKING WOMAN: Field Test -- Framed: The Return of Sight, Squared -- Returns on Self-Effacement: The Self-Portrait -- Figuring the Field: The Machine, the "Garden," My Self -- "See You Later (Au Revoir)," With Love -- Refiguring Redemption: Resighting My Self.
330   $a"This book explores how the visual art practice of Michael Snow asks the question Who? of the viewers as they interpret what lies before them. Much criticism of Snow objectively analyzes the material interrelationships in his work, ignoring viewer participation, and implicitly giving the artist control of the view. However, what if the "who" is addressed from the perspective of the viewer who is looking across a gap created by concrete representation time, place, experience and, perhaps, gender? How then can it remain objective?"--pub. desc.
606   $aSelf-perception in art
615  0$aSelf-perception in art.
676   $a709/.2
700   $aKellman$b Tila Landon$f1943-$01611408
701   $aSnow$b Michael$f1929-$01753166
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910824431903321
996   $aFiguring redemption$94188801
997   $aUNINA