LEADER 03629oam  2200697I  450 
001 9910824384703321
005 20240131142158.0
010   $a1-136-48571-6
010   $a0-203-13601-2
010   $a1-299-16106-5
010   $a1-136-48572-4
024 7 $a10.4324/9780203136010 
035   $a(CKB)2670000000331459
035   $a(EBL)1128313
035   $a(OCoLC)829461172
035   $a(SSID)ssj0000833631
035   $a(PQKBManifestationID)11460235
035   $a(PQKBTitleCode)TC0000833631
035   $a(PQKBWorkID)10936474
035   $a(PQKB)11223510
035   $a(MiAaPQ)EBC1128313
035   $a(Au-PeEL)EBL1128313
035   $a(CaPaEBR)ebr10660647
035   $a(CaONFJC)MIL447356
035   $a(OCoLC)828511295
035   $a(FINmELB)ELB137646
035   $a(EXLCZ)992670000000331459
100   $a20180706d2013      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aMedia authorship /$fedited by Cynthia Chris and David A. Gerstner
205   $a1st ed.
210  1$aNew York :$cRoutledge,$d2013.
215   $a1 online resource (329 p.)
225 1 $aAFI film readers
225  0$aAFI film readers
300   $aDescription based upon print version of record.
311   $a0-415-69943-6 
311   $a0-415-69942-8 
320   $aIncludes bibliographical references and index.
327   $apt. 1. Signature -- pt. 2. Event -- pt. 3. Context.
330   $a"Contemporary media authorship is frequently collaborative, participatory, non-site specific, or quite simply goes unrecognized. In this volume, media and film scholars explore the theoretical debates around authorship, intention, and identity within the rapidly transforming and globalized culture industry of new media. Defining media broadly, across a range of creative artifacts and production cultures--from visual arts to videogames, from textiles to television--contributors consider authoring practices of artists, designers, do-it-yourselfers, media professionals, scholars, and others. Specifically, they ask: - What constitutes "media" and "authorship" in a technologically converged, globally conglomerated, multiplatform environment for the production and distribution of content? - What can we learn from cinematic and literary models of authorship--and critiques of those models--with regard to authorship not only in television and recorded music, but also interactive media such as videogames and the Internet? - How do we conceive of authorship through practices in which users generate content collaboratively or via appropriation? - What institutional prerogatives and legal debates around intellectual property rights, fair use, and copyright bear on concepts of authorship in "new media"? By addressing these issues, Media Authorship demonstrates that the concept of authorship as formulated in literary and film studies is reinvigorated, contested, remade--even, reauthored--by new practices in the digital media environment"--$cProvided by publisher.
410  0$aAFI Film Readers
606   $aArts$xAuthorship
606   $aCreation (Literary, artistic, etc.)
615  0$aArts$xAuthorship.
615  0$aCreation (Literary, artistic, etc.)
676   $a302.23
686   $aSOC052000$aLAN002000$aPER004030$2bisacsh
701   $aChris$b Cynthia$f1961-$01646068
701   $aGerstner$b David A.$f1963-$01699889
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910824384703321
996   $aMedia authorship$94082479
997   $aUNINA