LEADER 03710nam 2200781 450 001 9910824369503321 005 20230120091846.0 010 $a1-315-59995-3 010 $a1-317-08248-6 010 $a1-317-08247-8 010 $a1-4724-1665-1 035 $a(CKB)3710000000114014 035 $a(EBL)1692791 035 $a(SSID)ssj0001194395 035 $a(PQKBManifestationID)11813374 035 $a(PQKBTitleCode)TC0001194395 035 $a(PQKBWorkID)11150358 035 $a(PQKB)10989832 035 $a(Au-PeEL)EBL1692791 035 $a(CaPaEBR)ebr10872465 035 $a(CaONFJC)MIL922790 035 $a(OCoLC)880531141 035 $a(Au-PeEL)EBL5293912 035 $a(CaONFJC)MIL632499 035 $a(OCoLC)1027172445 035 $a(MiAaPQ)EBC1692791 035 $a(MiAaPQ)EBC5293912 035 $a(EXLCZ)993710000000114014 100 $a20140529h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPerforming authorship in the nineteenth-century Transatlantic lecture tour /$fAmanda Adams 210 1$aSurrey, England ;$aBurlington, Vermont :$cAshgate,$d2014. 210 4$dİ2014 215 $a1 online resource (179 p.) 225 1 $aAshgate Series in Nineteenth-Century Transatlantic Studies 300 $aDescription based upon print version of record. 311 $a1-4724-1664-3 320 $aIncludes bibliographical references and index. 327 $aCover; Contents; List of Figures; Acknowledgments; Introduction: The Nineteenth-Century Transatlantic Lecture Tour and the Case of Frederick Douglass; 1 Seen and Not Heard: The Transatlantic Tours of Harriet Martineau and Harriet Beecher Stowe; 2 Performing Ownership: Dickens, Twain, and Copyright on the Transatlantic Stage; 3 Apostles in the Flesh: Arnold, Wilde, and the Reproduction of Personality in America; 4 The Voice of the Master: Henry James and the Paradox of Performance; Conclusion: Performing Authorship beyond the Nineteenth Century; Works Cited; Index 330 $aExpanding our understanding of what it meant to be a nineteenth-century author, Amanda Adams takes up the concept of performative, embodied authorship in relationship to the transatlantic lecture tour. Adams examines tours by British and American authors, including Frederick Douglass, Harriet Beecher Stowe, Harriet Martineau, Charles Dickens, and Oscar Wilde, arguing that these tours were a central aspect of nineteenth-century authorship at a time when authors were becoming celebrities and celebrities were international. 410 0$aAshgate series in nineteenth-century transatlantic studies. 606 $aAuthors, American$y19th century$xTravel$zEngland 606 $aAuthors, English$y19th century$xTravel$zUnited States 606 $aAmerican literature$y19th century$xAppreciation$zEngland 606 $aEnglish literature$y19th century$xAppreciation$zUnited States 606 $aLectures and lecturing$zUnited States 606 $aLectures and lecturing$zEngland 606 $aAuthorship$xMarketing 615 0$aAuthors, American$xTravel 615 0$aAuthors, English$xTravel 615 0$aAmerican literature$xAppreciation 615 0$aEnglish literature$xAppreciation 615 0$aLectures and lecturing 615 0$aLectures and lecturing 615 0$aAuthorship$xMarketing. 676 $a810.9/003 700 $aAdams$b Amanda$f1977-$01341314 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910824369503321 996 $aPerforming authorship in the nineteenth-century Transatlantic lecture tour$94014332 997 $aUNINA