LEADER 04043nam 2200685Ia 450 001 9910824297503321 005 20240508225449.0 010 $a1-315-57388-1 010 $a1-317-16069-X 010 $a1-317-16068-1 010 $a1-282-74382-1 010 $a9786612743825 010 $a1-4094-0416-1 035 $a(CKB)2670000000036002 035 $a(EBL)564088 035 $a(OCoLC)662258367 035 $a(SSID)ssj0000434884 035 $a(PQKBManifestationID)12165692 035 $a(PQKBTitleCode)TC0000434884 035 $a(PQKBWorkID)10403401 035 $a(PQKB)11203917 035 $a(Au-PeEL)EBL564088 035 $a(CaPaEBR)ebr10406806 035 $a(CaONFJC)MIL922654 035 $a(MiAaPQ)EBC564088 035 $a(EXLCZ)992670000000036002 100 $a20091125d2009 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aContemporary music $etheoretical and philosophical perspectives /$fedited by Max Paddison and Ire?ne Delie?ge 205 $a1st ed. 210 $aBurlington, VT $cAshgate$dc2009 215 $a1 online resource (407 p.) 300 $aIncludes index. 311 $a0-7546-0497-7 327 $aCover; Contents; List of Music Examples; List of Figures and Tables; Contributors; Preface; Introduction: Contemporary Music: Theory, Aesthetics, Critical Theory; PART I: Theoretical Perspectives and Retrospectives; 1 The Principles of Music and the Rationalization of Theory; 2 Atonal Harmony: From Set to Scale; 3 In Search of Lost Harmony; 4 Against a Theory of Musical (New) Complexity; 5 Heterogeneity: Or, On the Choice of Being Omnivorous; 6 Vare?se, Serialism and the Acoustic Metaphor; 7 'I Open and Close'?; 8 A Period of Confrontation: The Post-Webern Years 327 $aPART II: Philosophical Critiques and Speculations After Adorno9 A Philosophy of Totality; 10 Possibilities for a Work-Immanent Contemporary Musical Logic; 11 Postmodernism and the Survival of the Avant-garde; 12 Material Constraints: Adorno, Benjamin, Arendt; 13 Towards an Aesthetics of Risk; 14 Music and Social Relations: Towards a Theory of Mediation; PART III: Creative Orientations; 15 Music, Ambiguity, Buddhism: A Composer's Perspective; 16 Artistic Orientations and the Limits of Explanation: An Interview with Pierre Boulez 327 $a17 Failed Time, Successful Time, Shadowtime: An Interview with Brian Ferneyhough18 Sound Structures, Transformations, and Broken Magic: An Interview with Helmut Lachenmann; 19 Hunting and Forms: An Interview with Wolfgang Rihm; Postlude: Helmut Lachenmann, Wolfgang Rihm and the Austro-German Tradition; Index of Names; Index of Subjects 330 $aThis collection of essays and interviews addresses important theoretical, philosophical and creative issues in Western art music at the end of the twentieth- and the beginning of the twenty-first centuries. The book offers a wide range of international perspectives from prominent musicologists, philosophers and composers and includes new interviews with Pierre Boulez, Brian Ferneyhough, Helmut Lachenmann, and Wolfgang Rihm. Contributions with a theoretical emphasis consider the historical rationalization of music and technology, new approaches to the theorization of atonal harmony in the wake 606 $aMusic$y20th century$xHistory and criticism 606 $aMusic$y20th century$xPhilosophy and aesthetics 606 $aMusic$y21st century$xHistory and criticism 606 $aMusic$y21st century$xPhilosophy and aesthetics 615 0$aMusic$xHistory and criticism. 615 0$aMusic$xPhilosophy and aesthetics. 615 0$aMusic$xHistory and criticism. 615 0$aMusic$xPhilosophy and aesthetics. 676 $a780.9/04 701 $aPaddison$b Max$01650990 701 $aDelie?ge$b Ire?ne$01111704 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910824297503321 996 $aContemporary music$94000667 997 $aUNINA