LEADER 05276nam 2200637 450 001 9910824261003321 005 20230807204549.0 010 $a1-4725-0961-7 010 $a1-4725-0951-X 010 $a1-4725-1385-1 035 $a(CKB)2670000000578498 035 $a(EBL)1873334 035 $a(SSID)ssj0001382304 035 $a(PQKBManifestationID)11771339 035 $a(PQKBTitleCode)TC0001382304 035 $a(PQKBWorkID)11459894 035 $a(PQKB)10971452 035 $a(MiAaPQ)EBC1873334 035 $a(MiAaPQ)EBC6160641 035 $a(EXLCZ)992670000000578498 100 $a20200714d2015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aApplied theatre $eresearch : radical departures /$fPeter O'Connor and Michael Anderson ; series editors, Michael Balfour and sheila Preston 210 1$aLondon, England :$cBloomsbury Methuen Drama,$d[2015] 210 4$dİ2015 215 $a1 online resource (307 p.) 225 1 $aApplied theatre 300 $aDescription based upon print version of record. 311 $a1-4725-0794-0 311 $a1-322-34266-0 320 $aIncludes bibliographical references and index. 327 $aTitle Page; Copyright Page; Contents; List of Figures; Notes on Contributors; Acknowledgements; Part 1 - Radical Departures; Chapter 1 - Research in a Post-Normal World; Research and the post-normal; Complexity and the post-normal; Chaos in the post-normal; Contradictions and the post-normal; The young and the global financial crisis; Research and hope; Research and democracy; Community-Based Participatory Research; Participatory Action Research: Seeds of democracy; Arts-based research; The body in research; Theatre, performance and research; Applied theatre as resistance 327 $aThe aesthetic in applied theatreApplied theatre and democracy; Applied theatre and research; Decolonizing research methodologies through applied theatre; Creating new research languages; Evaluation and applied theatre; Advocacy and research; Methodological complexity; Understanding change over time; Effective evaluation in applied theatre; Applied Theatre as Research; The underlying principles of ATAR; Co-constructing research: Mapping the questions; Exploring applied theatre as research: Young Mob, Sydney, Australia; The research document; Designing the project 327 $aCreating a symbiotic experienceBuilding a research team; Attending to rigour: Anticipating the challenge; Selecting a fictional frame . . . entering the story; The features of an effective fictional framework; Generating diverse data: Making theatre in multiple ways; Data analysis; Disseminating, communicating and presenting the data; Multiple ways ahead; ATAR in practice: Complexity, hope and engagement in applied theatre as research; Part 2 - Case Studies in Applied Theatre as Research; Chapter 2 - Applied Theatre as Research Working with Looked-After Children 327 $aForming the foundations: The mainplace pilot projectIndividual pieces; Expanding the research in related settings; Working within the institution; Housing associations; Closed penal institutions; Power paradigms; The review meeting, drama as a research tool; Applied theatre as emancipatory research; Radical creative spaces; Mini-me's; Leaving videos; Individual pieces; Conclusion; Chapter 3 - Finding Maximus in Fragments of Playful Intensity; Alternatives in education; Finding the alternative education tutor; Blurring boundaries between poetry and drama; Elements of the workshop 327 $aFragment one: 'It's the love that's missing'Fragment two: Seeing the self in other; Fragment three: The heart of Maximus; Fragment four: Leaving imprints; Maximus: A romantic critic; Chapter 4 - Pretending to Research: Young People at the Centre of Discovery; Introduction; Generating stories; Out West; Preparing to research; Ethical approaches to research; Research with the seniors; A meeting of minds and bodies; Artefacts; Understanding the aesthetic; The performance approach; Making choices/mediation; Ethnographic performance; Bill's book; The framing device 327 $aIn front of the audience at last 330 $aApplied Theatre: Research is the first book to consolidate thinking about applied theatre as research through a thorough investigation of ATAR as a research methodology. It will be an indispensable resource for teachers and researchers in the area. The first section of the book details the history of the relationship between applied theatre and research, especially in the area of evaluation and impact assessment, and offering an examination of the literature surrounding applied theatre and research. The book then explores how applied theatre as research (ATAR) works as a democratic and pro-so 410 0$aApplied theatre (Series) 606 $aTheater$xResearch 615 0$aTheater$xResearch. 676 $a792.01 686 $aPER011020$2bisacsh 700 $aO'Connor$b Peter$0328254 702 $aAnderson$b Michael$f1920-2018, 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910824261003321 996 $aApplied theatre$94021969 997 $aUNINA