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005 20200520144314.0
010   $a1-283-95894-5
010   $a1-78042-731-X
035   $a(CKB)2670000000151329
035   $a(EBL)886869
035   $a(OCoLC)777400361
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100   $a20110606d2011      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $2rdacontent
182   $2rdamedia
183   $2rdacarrier
200 10$aClaude Monet /$fNina Kalitina and Nathalia Brodskaia
210   $aNew York $cParkstone International$d[2011]
215   $a1 online resource (200 p.)
225 1 $aBest of
300   $aDescription based upon print version of record.
311   $a1-84484-902-3 
320   $aIncludes bibliographical references (p. 196-199) and index.
327   $aThe beginnings of Impressionism -- Claude Monet-the person -- Early life -- Formative years -- From figure painting to landscape painting -- The first Impressionist exhibition -- The Argenteuil period -- From the single painting to the series -- Monet's reception in Russia -- Exhibitions.
330   $aFor Monet, the act of creation was always a painful struggle. His obsession with capturing light effects in nature was much more intense than that of his contemporaries. In his words: "Skills come and go... Art is always the same: a transposition of nature that requests as much will as sensitivity. I strive and struggle against the sun... should as well paint with gold and precious stones."
410  0$aBest of
676   $a759.4
700   $aKalitina$b N. N$g(Nina Nikolaevna)$0597105
701   $aMonet$b Claude$f1840-1926.$0212987
701   $aBrodskaia$b N. V$g(Natalia Valentinovna)$0863734
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910824216003321
996   $aClaude Monet$94198226
997   $aUNINA