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181   $2rdacontent
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200 04$aThe PCI artists $eantifascism and communism in Italian art, 1944-1951 /$fby Juan Jose Gomez Gutierrez
210  1$aNewcastle upon Tyne, England :$cCambridge Scholars Publishing,$d2015.
210  4$d2015
215   $a1 online resource (256 p.)
300   $aDescription based upon print version of record.
311   $a1-4438-8003-5 
320   $aIncludes bibliographical references.
330   $aThis book examines the artistic policies of the Italian Communist Party (PCI) during the early post-war years (1944-1951), after the defeat of Fascism in Europe and the outbreak of the Cold War. It brings together theoretical debates on artists' political engagement and an extensive critical apparatus, providing the reader with an historical framework for wider reflections on the relationship between art and politics. After 1944, the PCI became the biggest Communist organisation in the West, placing Italy in an ambiguous position regarding the other European countries. Nevertheless, the immedi
606   $aFossil hominids
606   $aHuman evolution
606   $aPrehistoric peoples
610   $aART, ITALIAN
610   $aART
610   $aITALY
610   $aPOLITICAL SCIENCE
615  0$aFossil hominids.
615  0$aHuman evolution.
615  0$aPrehistoric peoples.
676   $a569.9
700   $aJose?$b Juan$01682397
702   $aGutie?rrez$b Go?mez
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906   $aBOOK
912   $a9910824113503321
996   $aThe PCI artists$94052473
997   $aUNINA