LEADER 02233nam 2200505 450 001 9910824111203321 005 20230807193032.0 010 $a1-4438-8118-X 035 $a(CKB)3710000000473497 035 $a(EBL)4534672 035 $a(MiAaPQ)EBC4534672 035 $a(Au-PeEL)EBL4534672 035 $a(CaPaEBR)ebr11215695 035 $a(CaONFJC)MIL830886 035 $a(OCoLC)951223703 035 $a(EXLCZ)993710000000473497 100 $a20160617h20152015 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 13$aAn edgy realism $efilm theoretical encounters with Dogma 95, new french extremity, and the shaky-cam horror film /$fby Jerome P. Schaefer 210 1$aNewcastle upon Tyne, England :$cCambridge Scholars Publishing,$d2015. 210 4$dİ2015 215 $a1 online resource (171 p.) 300 $aDescription based upon print version of record. 311 $a1-4438-8017-5 320 $aIncludes bibliographical references and index. 330 $aSimilar to the way in which the new waves of the 1960's and 1970's had been characterized by new forms of cinematic realism, cinema since the turn of the millennium has pointed into the direction of a new, edgy realism. Art film movements such as Dogma 95 and the New French Extremity, as well as shaky-cam horror films like The Blair Witch Project and Paranormal Activity, provide evidence of the fact that the proliferation of the digital since the 1990's has profoundly changed not only contemporary media culture and the social role of film, as seen, for example, in the case of amateur film and the 606 $aRealism in motion pictures 606 $aMotion pictures$zFrance$xHistory and criticism 606 $aHorror films$xHistory and criticism 615 0$aRealism in motion pictures. 615 0$aMotion pictures$xHistory and criticism. 615 0$aHorror films$xHistory and criticism. 676 $a791.43612 700 $aSchaefer$b Jerome P.$01682388 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910824111203321 996 $aAn edgy realism$94052452 997 $aUNINA