LEADER 02206nam  2200613Ia 450 
001 9910824080803321
005 20200520144314.0
010   $a1-280-49125-6
010   $a9786613586483
010   $a1-61168-251-7
035   $a(CKB)2670000000176684
035   $a(EBL)1085073
035   $a(OCoLC)792808415
035   $a(SSID)ssj0000676179
035   $a(PQKBManifestationID)11402753
035   $a(PQKBTitleCode)TC0000676179
035   $a(PQKBWorkID)10683387
035   $a(PQKB)10021951
035   $a(MiAaPQ)EBC1085073
035   $a(MdBmJHUP)muse17335
035   $a(Au-PeEL)EBL1085073
035   $a(CaPaEBR)ebr10554414
035   $a(CaONFJC)MIL358648
035   $a(EXLCZ)992670000000176684
100   $a20120124d2012      uy         0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aFramed spaces $ephotography and memory in contemporary installation art /$fMonica E. McTighe
205   $a1st [ed.].
210   $aHanover $cDartmouth College Press$d2012
215   $a1 online resource (265 p.)
225 1 $aInterfaces: studies in visual culture
300   $aDescription based upon print version of record.
311   $a1-61168-205-3 
320   $aIncludes bibliographical references and index.
327   $aExpanding the frame. Installation art in the 1970's -- The politics of representation. Archive and memory in the work of Renee Green -- The poetics of experience. Ann Hamilton's installations and photographs -- Camera obscura. Memory in film and video installations in the 2000's -- Conclusion. Installation art and memory.
330   $aA study of the relationship between photography and installation art
410  0$aInterfaces, studies in visual culture.
606   $aArt and photography
606   $aInstallations (Art)$xThemes, motives
615  0$aArt and photography.
615  0$aInstallations (Art)$xThemes, motives.
676   $a709.04/074
700   $aMcTighe$b Monica E$01709761
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910824080803321
996   $aFramed spaces$94099799
997   $aUNINA